Confessions of a Young Lady: Her Doings and Misdoings — John Shaqi
Confessions of a Young Lady: Her Doings and MisdoingsMarsh, Richard
General
Confessions of a Young Lady: Her Doings and Misdoings
Marsh, Richard
England -- Social life and customs -- Fiction; Girls -- Fiction; Women -- Fiction
I was beginning--positively--to be afraid. When I reached a point at
which the histrionic temple was only on the other side of the road I
stood still. I was conscious of considerable reluctance to cross from
the side on which I was to the side on which it was. For one thing, I
was appalled by the peculiar dreariness of its appearance. I could not
fancy the Infant Roscius commencing his career in that. The tent
itself did look so shabby; the living waggons, which stood
disconsolately together in the mud, were so much in want of painting;
about the whole there was such an atmosphere of meanness, such a
wealth of mire, that my heart began to sink. A small girl ran from the
tent to a waggon, and from the waggon back to the tent. She struck me
as being the dirtiest and most disreputable-looking creature I had
ever seen. I called to her, meaning to give her that twopennyworth of
German sausage and then retire, postponing the opening of my career
until a future time. But either I did not call loud enough or she was
in too much haste to heed. She disappeared without a glance in my
direction.
The moment she was gone sudden consciousness of the shameful thing
that I would do swept over me. I had come to help those poor people,
and just because they evidently were so much in want of help I
proposed to leave them to their fate. Was I attempting to quiet my
conscience by pretending that it would be enough to present them with
two pennyworths of German sausage? What--my thoughts flying back to
what the governess had said--was two pennyworths of German sausage
among seven? Why, I could eat it all myself--and more! Over the road I
tore, clattered along the boards which formed a causeway through the
thick, upstanding filth; in a flash was through the entrance and in
the theatre.
Public-domain text, read in full here on John Shaqi.
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