Moore, George, 1852-1933; Paris (France) -- Intellectual life
I had shaken off all belief in Christianity early in life, and had suffered
much. Shelley had replaced faith by reason, but I still suffered: but here
was a new creed which proclaimed the divinity of the body, and for a long
time the reconstruction of all my theories of life on a purely pagan basis
occupied my whole attention. The exquisite outlines of the marvellous
castle, the romantic woods, the horses moving, the lovers leaning to each
other's faces enchanted me; and then the indescribably beautiful
description of the performance of _As you like it_, and the supreme
relief and perfect assuagement it brings to Rodolph, who then sees Mdlle.
de Maupin for the first time in woman's attire. If she were dangerously
beautiful as a man, that beauty is forgotten in the rapture and praise of
her unmatchable woman's loveliness.
But if Mdlle. de Maupin was the highest peak, it was not the entire
mountain. The range was long, and each summit offered to the eye a new and
delightful prospect. There were the numerous tales,--tales as perfect as
the world has ever seen; "La Morte Amoureuse," "Jettatura," "Une Nuit de
Cléopâtre," etc., and then the very diamonds of the crown, "Les Emaux et
Camées," "La Symphonie en Blanc Majeure," in which the adjective
_blanc_ and _blanche_ is repeated with miraculous felicity in
each stanza. And then Contralto,--
"Mais seulement il se transpose
Et passant de la forme au son,
Trouvant dans la métamorphose
La jeune fille et le garçon."
Public-domain text, read in full here on John Shaqi.
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