Moore, George, 1852-1933; Paris (France) -- Intellectual life
And should she _not_ visit his rooms? If the complex and various
accidents of existence should have ruled out her life virtuously; if the
many inflections of sentiment have decided against this last consummation,
then she will wax to the complete, the unfathomable temptress--the Lilith
of old--she will never set him free, and in the end will be found about his
heart "one single golden hair." She shall haunt his wife's face and words
(should he seek to rid himself of her by marriage), a bitter sweet, a
half-welcome enchantment; she shall consume and destroy the strength and
spirit of his life, leaving it desolation, a barren landscape, burnt and
faintly scented with the sea. Fame and wealth shall slip like sand from
him. She may be set aside for the cadence of a rhyme, for the flowing line
of a limb, but when the passion of art has raged itself out, she shall
return to blight the peace of the worker.
A terrible malady is she, a malady the ancients knew of and called
nympholepsy--a beautiful name evocative and symbolic of its ideal aspect,
"the breast of the nymph in the brake." And the disease is not extinct in
these modern days, nor will it ever be so long as men shall yearn for the
unattainable; and the prosy bachelors who trail their ill-fated lives from
their chambers to their clubs know of, and they call their malady--the
woman of thirty.
CHAPTER VI
A Japanese dressing gown, the ideality of whose tissue delights me, some
fresh honey and milk set by this couch hung with royal fringes; and having
partaken of this odorous refreshment, I call to Jack my great python that
is crawling about after a two months' fast. I tie up a guineapig to the
_tabouret_, pure Louis XV., the little beast struggles and squeaks,
the snake, his black, bead-like eyes are fixed, how superb are the
oscillations ... now he strikes, and slowly and with what exquisite
gourmandise he lubricates and swallows.
Marshall is at the organ in the hall, he is playing a Gregorian chant, that
beautiful hymn, the "Vexilla Regis," by Saint Fortunatus, the great poet of
the Middle Ages. And, having turned over the leaves of "Les Fêtes
Gallantes," I sit down to write.
Public-domain text, read in full here on John Shaqi.
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