But this is not a course of literature but the story of the artistic development of me, George Moore; so I will tarry no longer with mere criticism, but go direct to the book to which I owe the last temple in my soul--"Marius the Epicurean." Well I remember when I read the opening lines, and how they came upon me sweetly as the flowing breath of a bright spring. I knew that I was awakened a fourth time, that a fourth vision of life was to be given to me. Shelley had revealed to me the unimagined skies where the spirit sings of light and grace; Gautier had shown me how extravagantly beautiful is the visible world and how divine is the rage of the flesh; and with Balzac I had descended circle by circle into the nether world of the soul, and watched its afflictions. Then there were minor awakenings. Zola had enchanted me with decoration and inebriated me with theory; Flaubert had astonished with the wonderful delicacy and subtlety of his workmanship; Goncourt's brilliant adjectival effects had captivated me for a time, but all these impulses were crumbling into dust, these aspirations were etiolated, sickly as faces grown old in gaslight. I had not thought of the simple and unaffected joy of the heart of natural things; the colour of the open air, the many forms of the country, the birds flying,--that one making for the sea; the abandoned boat, the dwarf roses and the wild lavender; nor had I thought of the beauty of mildness in life, and how by a certain avoidance of the wilfully passionate, and the surely ugly, we may secure an aspect of temporal life which is abiding and soul-sufficing. A new dawn was in my brain, fresh and fair, full of wide temples and studious hours, and the lurking fragrance of incense; that such a vision of life was possible I had no suspicion, and it came upon me almost with the same strength, almost as intensely, as that divine song of the flesh,--Mademoiselle de Maupin. Certainly, in my mind, these books will be always intimately associated; and when a few adventitious points of difference be forgotten, it is interesting to note how firm is the alliance, and how cognate and co-equal the sympathies on which it is based; the same glad worship of the visible world, and the same incurable belief that the beauty of material things is sufficient for all the needs of life. Mr Pater can join hands with Gautier in saying--_je trouve la terre aussi belle que le ciel, et je pense que la correction de la forme est la vertu_. And I too join issue; I too love the great pagan world, its bloodshed, its slaves, its injustice, its loathing of all that is feeble.