Moore, George, 1852-1933; Paris (France) -- Intellectual life
Finding music and atheism in poetry I cared little for novels. Scott
seemed to me on a par with Burke's speeches; that is to say, too
impersonal for my very personal taste. Dickens I knew by heart, and
_Bleak House_ I thought his greatest achievement. Thackeray left no deep
impression on my mind; in no way did he hold my thoughts. He was not
picturesque like Dickens, and I was at that time curiously eager for
some adequate philosophy of life, and his social satire seemed very
small beer indeed. I was really young. I hungered after great truths:
_Middlemarch, Adam Bede, The Rise and Influence of Rationalism, The
History of Civilisation_, were momentous events in my life. But I loved
life better than books, and very curiously my studies and my pleasures
kept pace, stepping together like a pair of well-trained carriage
horses. While I was waiting for my coach to take a party of _tarts_ and
_mashers_ to the Derby, I would read a chapter of Kant, and I often took
the book away with me in my pocket. And I cultivated with care the
acquaintance of a neighbour who had taken the Globe Theatre for the
purpose of producing Offenbach's operas. Bouquets, stalls, rings,
delighted me. I was not dissipated, but I loved the abnormal. I loved to
spend on scent and toilette knick-knacks as much as would keep a poor
man's family in affluence for ten months; and I smiled at the
fashionable sunlight in the Park, the dusty cavalcades; and I loved to
shock my friends by bowing to those whom I should not bow to. Above all,
the life of the theatres--that life of raw gaslight, whitewashed walls,
of light, doggerel verse, slangy polkas and waltzes--interested me
beyond legitimate measure, so curious and unreal did it seem. I lived at
home, but dined daily at a fashionable restaurant: at half-past eight I
was at the theatre. Nodding familiarly to the doorkeeper, I passed up
the long passage to the stage. Afterwards supper. Cremorne and the
Argyle Rooms were my favourite haunts. My mother suffered, and expected
ruin, for I took no trouble to conceal anything; I boasted of
dissipations. But there was no need to fear; for I was naturally endowed
with a very clear sense of self-preservation; I neither betted nor
drank, nor contracted debts, nor a secret marriage; from a worldly point
of view, I was a model young man indeed; and when I returned home about
four in the morning, I watched the pale moon setting, and repeating some
verses of Shelley, I thought how I should go to Paris when I was of age,
and study painting.
II
At last the day came, and with several trunks and boxes full of clothes,
books, and pictures, I started, accompanied by an English valet, for
Paris and Art.
Public-domain text, read in full here on John Shaqi.
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