Moore, George, 1852-1933; Paris (France) -- Intellectual life
I had shaken off all belief in Christianity early in life and had
suffered much. Shelley had replaced faith by reason, but I still
suffered: but here was a new creed which proclaimed the divinity of the
body, and for a long time the reconstruction of all my theories of life
on a purely pagan basis occupied my whole attention. The exquisite
outlines of the marvellous castle, the romantic woods, the horses
moving, the lovers leaning to each other's faces enchanted me; and then
the indescribably beautiful description of the performance of _As You
Like It_, and the supreme relief and perfect assuagement it brings to
Rodolph, who then sees Mdlle. de Maupin for the first time in woman's
attire. If she were dangerously beautiful as a man, that beauty is
forgotten in the rapture and praise of her unmatchable woman's
loveliness.
But if "Mdlle. de Maupin" was the highest peak, it was not the entire
mountain. The range was long, and each summit offered to the eye a new
and delightful prospect. There were the numerous tales,--tales as
perfect as the world has ever seen; "La Morte Amoureuse," "Jettatura,"
"Une Nuit de Cléopâtre," etc., and then the very diamonds of the crown,
"Les Emaux et Camées," "La Symphonie en Blanc Majeure," in which the
adjective _blanc_ and _blanche_ is repeated with miraculous felicity in
each stanza. And then Contralto,--
"Mais seulement il se transpose
Et passant de la forme au son,
Trouve dans la métamorphose
La jeune fille et le garçon."
Public-domain text, read in full here on John Shaqi.
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