Many of the older members dyed their hair, as it had begun to turn grey.
Of course they did not have it done by competent people, or nearly often
enough, and the shades of rusty brown, green, or purple it assumed were
quite startling. Our first Kapellmeister used to dye his hair a rich
black. He was a good-looking man and very vain. He was also portly and
easily became over-heated. Of course when this happened, the
perspiration running down his neck was dyed black too, and he would be
intensely worried for fear we should see it. We knew his sensitiveness,
and took delight in sitting directly behind him at the piano, though he
would urge, beg, and finally command us to sit beside him. He was
kindhearted in his way, and I remember one instance of this. The stage
manager, in a vile humour, had come storming into the midst of a room
rehearsal one day, with some trivial complaint against me, and had
succeeded in making me cry, not a difficult matter at that time as I was
always in a state of nerve strain owing to continuous over-fatigue. The
Kapellmeister did his best to comfort me, telling me not to mind,
praising my work, and finally pressing upon me his huge, brand new silk
handkerchief--a real sacrifice, as he had probably intended to use it
for days! His fingertips used to split in the cold weather from much
piano pounding and I won his heart by prescribing collodion for them. He
continually praised my sight reading and quickness in learning and it
was he who gave me the nick-name of "Notenfresserin."
CHAPTER XII
MISPLACED MOISTURE AND THE STORY OF A COURT-LADY
The Bohemian, Hungarian and Croatian singers nearly always add to one's
joy in work by eating garlic. The "high dramatic" soprano in my next
engagement was from Croatia. The first time I went to Prague to sing, on
alighting from the train I sniffed a strangely familiar odour. The
impression of familiarity grew stronger and stronger as I drove to the
hotel--but I couldn't place it. At last it came to me--the whole town
smelled like our soprano! I have often wished, while on the stage, for
temporary atrophy of the senses. In addition to the fustiness of much
worn clothes and infrequent bathing, you really have all kinds of
horrors to endure.
Public-domain text, read in full here on John Shaqi.
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