positions in a large city in America, had competed in the open market of their own country, they would have been saved a heartbreak and much good money besides. I won a $1000 position almost at once, over the heads of many older and more experienced competitors, on the merits of my voice alone. The salary was my financial salvation, but, besides this, my general musicianship was much improved by the practice in sight-reading and _ensemble_ singing. I grew used to facing an audience, and found a chance to put into use what I learned in my singing lessons. Blessed be the quartet choir of America, say I; an invaluable institution for the musical sons and daughters of our country. The church in which I sang had many wealthy members, and the dress-parade on Sundays used to be quite a sight. Our place, as choir, was directly facing the congregation, in a little gallery, so that our hats and dresses were subjected to very searching scrutiny. The furnishing of suitable garments for such an exalted position became quite a problem. The soprano was a well-known singer, who, in addition to a good salary, had many concert and oratorio engagements; and her furs and ostrich feathers were my despair. I would sit up half the night to cover a last-year's straw hat with velvet. I made an endless succession of smart blouses which, as we were hidden below the waist by the railing, I wore with the same "utility" black broadcloth skirt. I constructed the most original collars and jabots for them out of odds and ends. I remember one was made of a packet of silver spangles sewn in rows overlapping each other like fish scales. One of my engagement presents had been a silver mesh bag, and when I wore it at my belt, and the collar round my neck, the choir used to call me "Mrs. Lohengrin." As we took off our outdoor wraps to sing, my smartness in the gallery was assured, but the cleverest manager can't contrive at home a substitute for furs, and the soprano had chinchilla! I was years younger than the others and they were very sweet to me. Living at my boarding house was a young doctor, who also would have liked to be nice to me. But my exaggerated conscientiousness would not allow me to have anything to do with one man while I was engaged to another, and I refused all his invitations to the theatre and to Saturday afternoon excursions. My one indulgence was in standing-room tickets for the Metropolitan. What a boon to girls in my situation would be the inexpensive municipal opera and endowed theatres of Germany with their system of _Schule Vorstellungen_ (students' performances) of standard plays and operas at prices that put a comfortable seat within the means of even the most humble purse! This was the lack the Century Opera would have supplied.