I remember that excellent Irishman Bianconi, not the less Irish that he was born at Lucca,--which was simply a "bull,"--once telling me that to popularize a road on which few people were then travelling, and on which his daily two-horse car was accustomed to go its journey, with two or at most three passengers, the idea occurred to him that he would start an opposition conveyance, of course in perfect secrecy, and with every outward show of its being a genuine rival. He effected his object with such success that his own agents were completely taken in, and never wearied of reporting, for his gratification, all the shortcomings and disasters of the rival company. At length, and when the struggle between the competitors was at its height, one of his drivers rushed frantically into his office one day, crying out, "Give a crown-piece to drink your honor's health for what I done to-day." "What was it, Larry?" "I killed the yallow mare of the opposition car; I passed her on the long hill, when she was blown, and I bruk her heart before she reached the top." "After this I gave up the opposition," said my friend; "'mocking was catching,' as the old proverb says; and I thought that one might carry a joke a little too far." I had this experience before me, and I will not say it did not impress me. My puzzle was, however, in this wise: I imagined I did not care on which horse I stood to win; in other words, I persuaded myself that it was a matter of perfect indifference to me which book took best with the public, and whether the reader thought better of "The Daltons" or "Con Cregan," that it could in no way concern me. That I totally misunderstood myself, or misconceived the case before me, I am now quite ready to own. For one notice of "The Daltons" by the Press, there were at least three or four of "Con Cregan," and while the former was dismissed with a few polite and measured phrases, the latter was largely praised and freely quoted. Nor was this all. The critics discovered in "Con Cregan" a freshness and a vigor which were so sadly deficient in "The Daltons." It was, they averred, the work of a less practised writer, but of one whose humor was more subtle, and whose portraits, roughly sketched as they were, indicated a far higher power than the well-known author of "Harry Lorrequer."