Americans -- Europe -- Fiction; British -- Europe -- Fiction; Male friendship -- Fiction; Man-woman relationships -- Fiction
Clever as he often was in talking with his friends, I am
not sure that his best things, as the phrase is, were not for his
own ears. And this was not on account of any cynical contempt for the
understanding of his fellow-creatures: it was simply because what I have
called his own society was more of a stimulus than that of most other
people. And yet he was not for this reason fond of solitude; he was, on
the contrary, a very sociable animal. It must be admitted at the outset
that he had a nature which seemed at several points to contradict
itself, as will probably be perceived in the course of this narration.
He entertained himself greatly with his reflections and meditations upon
Sienese architecture and early Tuscan art, upon Italian street-life and
the geological idiosyncrasies of the Apennines. If he had only gone to
the other inn, that nice-looking girl whom he had seen passing under the
dusky portal with her face turned away from him might have broken bread
with him at this intellectual banquet. Then came a day, however, when
it seemed for a moment that if she were disposed she might gather up the
crumbs of the feast. Longueville, every morning after breakfast, took
a turn in the great square of Siena--the vast piazza, shaped like
a horse-shoe, where the market is held beneath the windows of that
crenellated palace from whose overhanging cornice a tall, straight tower
springs up with a movement as light as that of a single plume in the
bonnet of a captain. Here he strolled about, watching a brown contadino
disembarrass his donkey, noting the progress of half an hour’s chaffer
over a bundle of carrots, wishing a young girl with eyes like animated
agates would let him sketch her, and gazing up at intervals at the
beautiful, slim tower, as it played at contrasts with the large blue
air. After he had spent the greater part of a week in these grave
considerations, he made up his mind to leave Siena. But he was not
content with what he had done for his portfolio. Siena was eminently
sketchable, but he had not been industrious. On the last morning of his
visit, as he stood staring about him in the crowded piazza, and feeling
that, in spite of its picturesqueness, this was an awkward place for
setting up an easel, he bethought himself, by contrast, of a quiet
corner in another part of the town, which he had chanced upon in one
of his first walks--an angle of a lonely terrace that abutted upon the
city-wall, where three or four superannuated objects seemed to slumber
in the sunshine--the open door of an empty church, with a faded fresco
exposed to the air in the arch above it, and an ancient beggar-woman
sitting beside it on a three-legged stool. The little terrace had an
old polished parapet, about as high as a man’s breast, above which was
a view of strange, sad-colored hills. Outside, to the left, the wall
of the town made an outward bend, and exposed its rugged and rusty
complexion. There was a smooth stone bench set into the wall of the
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