Americans -- Europe -- Fiction; British -- Europe -- Fiction; Male friendship -- Fiction; Man-woman relationships -- Fiction
“For myself, it ‘s an episode I shall try to forget. I don’t like the
part I have played in it.”
“May you never play a less becoming one!” cried Longueville. “I hope
that your mother, at least, will accept a memento of the occasion.” And
he turned again with his sketch to her companion, who had been listening
to the girl’s conversation with this enterprising stranger, and looking
from one to the other with an air of earnest confusion. “Won’t you do me
the honor of keeping my sketch?” he said. “I think it really looks like
your daughter.”
“Oh, thank you, thank you; I hardly dare,” murmured the lady, with a
deprecating gesture.
“It will serve as a kind of amends for the liberty I have taken,”
Longueville added; and he began to remove the drawing from its paper
block.
“It makes it worse for you to give it to us,” said the young girl.
“Oh, my dear, I am sure it ‘s lovely!” exclaimed her mother. “It ‘s
wonderfully like you.”
“I think that also makes it worse!”
Longueville was at last nettled. The young lady’s perversity was perhaps
not exactly malignant; but it was certainly ungracious. She seemed to
desire to present herself as a beautiful tormentress.
“How does it make it worse?” he asked, with a frown.
He believed she was clever, and she was certainly ready. Now, however,
she reflected a moment before answering.
“That you should give us your sketch,” she said at last.
“It was to your mother I offered it,” Longueville observed.
But this observation, the fruit of his irritation, appeared to have no
effect upon the young girl.
“Is n’t it what painters call a study?” she went on. “A study is of use
to the painter himself. Your justification would be that you should keep
your sketch, and that it might be of use to you.”
“My daughter is a study, sir, you will say,” said the elder lady in a
little, light, conciliating voice, and graciously accepting the drawing
again.
“I will admit,” said Longueville, “that I am very inconsistent. Set it
down to my esteem, madam,” he added, looking at the mother.
“That ‘s for you, mamma,” said his model, disengaging her arm from her
mother’s hand and turning away.
The mamma stood looking at the sketch with a smile which seemed to
express a tender desire to reconcile all accidents.
“It ‘s extremely beautiful,” she murmured, “and if you insist on my
taking it--”
“I shall regard it as a great honor.”
“Very well, then; with many thanks, I will keep it.” She looked at the
young man a moment, while her daughter walked away. Longueville thought
her a delightful little person; she struck him as a sort of transfigured
Quakeress--a mystic with a practical side. “I am sure you think she ‘s a
strange girl,” she said.
“She is extremely pretty.”
“She is very clever,” said the mother.
“She is wonderfully graceful.”
“Ah, but she ‘s good!” cried the old lady.
Public-domain text, read in full here on John Shaqi.
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