Coningsby; Or, The New GenerationDisraeli, Benjamin, Earl of Beaconsfield
General
Coningsby; Or, The New Generation
Disraeli, Benjamin, Earl of Beaconsfield
Great Britain -- Fiction; Political fiction; Politicians -- Fiction
Servants now went round and presented to each of the guests a billet
of the performance. It announced in striking characters the _début_ of
Mademoiselle Flora. A principal servant, bearing branch lights, came
forward and bowed to the Marquess. Lord Monmouth went immediately to the
Grand-duke, and notified to his Imperial Highness that the comedy was
ready. The Grand-duke offered his arm to the Ambassadress; the rest were
following; Coningsby was called; Madame Colonna wished him to be her
beau.
It was a pretty theatre; had been rapidly rubbed up and renovated here
and there; the painting just touched; a little gilding on a cornice.
There were no boxes, but the ground-floor, which gradually ascended, was
carpeted and covered with arm-chairs, and the back of the theatre with a
new and rich curtain of green velvet.
They are all seated; a great artist performs on the violin, accompanied
by another great artist on the piano. The lights rise; somebody
evidently crosses the stage behind the curtain. They are disposing the
scene. In a moment the curtain will rise also.
‘Have you seen Lucretia?’ said the Princess to Coningsby. ‘She is so
anxious to resume her acquaintance with you.’
But before he could answer the bell rang, and the curtain rose.
The old man, who had a droll part to-night, came forward and maintained
a conversation with his housekeeper; not bad. The young woman who played
the grave matron performed with great finish. She was a favourite,
and was ever applauded. The second scene came; a saloon tastefully
furnished; a table with flowers, arranged with grace; birds in cages, a
lap-dog on a cushion; some books. The audience were pleased; especially
the ladies; they like to recognise signs of _bon ton_ in the details of
the scene. A rather awful pause, and Mademoiselle Flora enters. She was
greeted with even vehement approbation. Her agitation is extreme;
she curtseys and bows her head, as if to hide her face. The face was
pleasing, and pretty enough, soft and engaging. Her figure slight and
rather graceful. Nothing could be more perfect than her costume; purely
white, but the fashion consummate; a single rose her only ornament. All
admitted that her hair was arranged to admiration.
At length she spoke; her voice trembled, but she had a good elocution,
though her organ wanted force. The gentlemen looked at each other, and
nodded approbation. There was something so unobtrusive in her mien,
that she instantly became a favourite with the ladies. The scene was not
long, but it was successful.
Public-domain text, read in full here on John Shaqi.
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