Conrad in Quest of His Youth: An Extravagance of Temperament — John Shaqi
Conrad in Quest of His Youth: An Extravagance of TemperamentMerrick, Leonard
General
Conrad in Quest of His Youth: An Extravagance of Temperament
Merrick, Leonard
Theater -- Great Britain -- Fiction
I have thought of you so often, and wanted to know you; you don't
realise how I have longed to meet you--to listen to you, to have you
lift the veil that hides your mind from me. Sometimes in a crowd I
have fancied I caught a glimpse of you; I can't explain--the poise of
the head, a look in the eyes, there was something that hinted it was
You. And in a whirlwind of an instant it almost seemed that you would
recognise me; but you said no word--you passed, a secret from me still.
To yourself where you are sitting you are just a charming woman, with
"a local habitation and a name;" but to me you are not Miss or Madam,
not M. or N., you are a Power, and I have sought you by a name you have
not heard--you are my Public.
And O my Lady, I am speaking to you! I feel your presence in my
senses, though you are far away, and I can't hear your answer. I do
wrong to speak like this; I may be arraigned for speaking; I have
broken laws for the honour of addressing you--among all the men who
have worshipped you, has one done more?--and I will never offend again.
But in this breathless minute while I dare, I would say: "Remember that
overleaf, and in every line unto the end I shall be picturing _you_,
working for you, trembling lest _you_ frown." Unto the End. Forgive
me. I have sinned, but I exult--it is as if I had touched your hand
across the page.
CHAPTER VII
Conrad drifted from the Riviera with the rest, and lingered through
June in Paris; not on the left bank this time--in the Paris of the
Boulevards and the Bois, where he was a world away from the quarter
where he had run to clasp the illusions of his youth, and stayed to
mourn them. Although he was finding life pleasant, there were moments
when he looked at the bridges, and felt wistful; but he never crossed
one--he knew now that he could not walk over the Pont Neuf into the
Past.
Nor was it with any definite purpose that he returned to London.
Amusement, agreeable society had lulled that desire to revisit old
scenes. And his experiments had been such failures: the endeavour to
recapture his fervour as an art-student; the ludicrous attempt to
revive in cynical adults the buoyant comradery of childhood; the
interest in the little girl whom time had turned into the least
interesting of women--it was with a mental blush that he recalled these
follies. If he thought no less tenderly of his youth, he thought of it
less often; if he was still liable to a sense of bereavement, he was
now idling as conventionally as any other man of his class.
Public-domain text, read in full here on John Shaqi.
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