Conrad in Quest of His Youth: An Extravagance of TemperamentMerrick, Leonard
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Conrad in Quest of His Youth: An Extravagance of Temperament
Merrick, Leonard
Theater -- Great Britain -- Fiction
"Really? Do you know that hurts, rather? I'm sorry."
"_I_'m sorry," sighed Rosalind. "But her heart's sweet," she added;
"it's only the bloom that has gone." She smiled. "Clap your hands!
She's my pal--you've got to applaud her."
"She's very good," he said, applauding. "I thought she was going to do
a flower song? But I like that one. Isn't it pretty? I like the way
it goes."
"Yes, rag-time--all against the beat. _Don't_ hum it out of tune!" she
said plaintively. "She's going to do the flower song next.
By-the-bye, I may have to introduce you to some of the girls. What
shall I call you?"
"My _name_," Conrad answered deferentially, "is 'Warrener.'"
She bent her head;
"Thank you," said Lady Darlington.
When the concert was over he walked with her as far as Mrs. Cheney's.
Tattie of course was with them. At the foot of the steps Tattie shook
hands with him and went indoors, and he remained a minute saying 'good
night' to Rosalind. The other girl might well have heard all they
said, but the minute had charm to him because the other girl had left
them. It implied something. And underneath, to both these
shuttlecocks of temperament, there was another charm, not defined
yet--to be savoured in the first moments of solitude--the charm of
recapturing a mood of years ago. At a doorstep, late: "You look
tired?" "Oh, it's nothing." A pause. "I shall see you to-morrow?"
"Yes, come in to tea." A whiff of the fragrance of his youth, a touch
of the sentimentality of her girlhood, idealised Corporation Road as
they parted in the fog.
"I wish it were to-morrow! ... Good night."
"Do you? ... Good night."
The old tune was not classical, but it was pretty.
CHAPTER XVII
"I want something substantial," said Conrad gravely, shaking his head.
"For the follow, say a Chateaubriand."
Two days had passed, and in his mind a new and disquieting thought had
risen--the thought that Rosalind couldn't pay for enough to eat.
Truly she was paying for a great deal to eat, conjuring steaks and
puddings on to the tables of a dozen lodgings, and inventing strange
stories to account for her having half-sovereigns to lend. But Conrad
could not know that. He only knew that the necessities of the
_Kiss-and-Tell_ Company were more urgent than he had understood; and he
felt very sorry for all the girls, but his heart bled for Lady
Bountiful.
"A Chateaubriand," he repeated firmly. It was nourishing. "And pommes
soufflées.... No? Well, I'll leave the potatoes to you. With a
chestnut purée, eh? And let us have nice sweets. Don't give me the
table d'hôte sweets--special. What about peaches? ... Well, send for
the best fruit you can get--you've plenty of time. Where's the
wine-list? A quarter to two. That table in the corner--for three
persons."
Public-domain text, read in full here on John Shaqi.
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