It was not the first time that this idea of ending everything had tempted
him, and he only warded it off by constantly inventing combinations which
it seemed to him at the moment might save him. Why yield to such a
temptation before trying everything? And this was how he happened to
appeal to Glady. But he knew him, and knew that his avarice, about which
every one joked, had a certain reason for its existence. However, he
said to himself that if the landed proprietor obstinately refused a
friendly loan, which would only pay the debts of youth, the poet would
willingly fill the role of Providence and save from shipwreck, without
risking anything, a man with a future, who, later, would pay him back.
It was with this hope that he risked a refusal. The landed proprietor
replied; the poet was silent. And now there was nothing to expect from
any one. Glady was his last resort.
In explaining his situation to Glady he lightened the misery instead of
exaggerating it. For it was not only his upholsterer that he owed, but
also his tailor, his bootmaker, his coal-dealer, his concierge, and all
those with whom he had dealings. In reality, his creditors had not
harassed him very much until lately, but this state of affairs would not
last when they saw him prosecuted; they also would sue him, and how could
he defend himself? How should he live? His only resource would be to
return to the Hotel du Senat, where even they would not leave him in
peace, or to his native town and become a country doctor. In either case
it was renouncing all his ambitions. Would it not be better to die?
What good was life if his dreams were not realized--if he had nothing
that he wanted?
Like many who frequently come in contact with death, life in itself was a
small thing to him--his own life as well as that of others; with Hamlet
he said: "To die, to sleep, no more," but without adding: "To die, to
sleep, perchance to dream," feeling certain that the dead do not dream;
and what is better than sleep to those who have had a hard life?
He was absorbed in thought when something came between him and the
flaring gaslight, and threw a shadow over him that made him straighten
himself up. What was it? Only a policeman, who came and leaned against
the parapet near him.
He understood. His attitude was that of a man who contemplates throwing
himself into the river, and the policeman had placed himself there in
order to prevent it.
"Thanks!" he said to the astonished man.
He continued his way, walking quickly, but hearing distinctly the steps
of the policeman following him, who evidently took him for a madman who
must be watched.
When he left the bridge of Saints-Peres for the Place du Carrousel this
surveillance ceased, and he could then indulge freely in reflection--at
least as freely as his trouble and discouragement permitted.
"The weak kill themselves; the strong fight to their last breath."
And, low as he was, he was not yet at his last breath.
Public-domain text, read in full here on John Shaqi.
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