Constantino Brumidi, Michelangelo of the United States CapitolMurdock, Myrtle Cheney
Philosophy
Constantino Brumidi, Michelangelo of the United States Capitol
Murdock, Myrtle Cheney
Brumidi, Constantino, 1805-1880
“As the canopy for the picture over the eye of the new dome is ready for
Mr. Brumidi and as he is now about to commence to work, I deem it proper
to say that he has not received any payment on account of his contract
since November 6, 1863, and that in the interim he has been occupied in
perfecting the full-size cartoons, which are now ready for the work. I,
therefore, respectfully recommend that payments to him be resumed in
accordance with his contract and that they be continued as the work
progresses until he shall have received the aggregate sum of $30,000,
after which no further payments to be made until the work is completed
and approved.”
In the Annual Report dated November 1, 1865, of Edward Clark, Architect
of the Capitol (1865-1902), we find reference to the completion of the
canopy:
“The picture over the eye of the Dome is all painted in, but the artist
is unwilling to have the scaffolding removed until the plastering is
thoroughly dry and the picture toned. As it will at times be viewed by
gas light, he wishes to have the opportunity of trying it by this light
before dismissing it from his hands.”
The following report by Edward Clark written in longhand to the
Secretary of the Interior and dated November 1, 1866, is preserved in
the National Archives:
“The fresco picture over the eye of the Dome has been exposed to view by
taking away the scaffolding. It is not, however, finished as the artist
intends to soften down the harshness at the joinings of the plastering.
He was under the impression that these imperfections would disappear
when the surface became dry. He holds himself in readiness to do the
proper toning and blending whenever the scaffolding is in place for the
painting of vault of the Rotunda.
“I would call attention to the necessity of ornamenting the ‘Belt’
between the second and third cornices of the Rotunda. The original
intention was to enrich this member in basso-relievo, but it is deemed
advisable to have it painted in fresco in imitation of basso-relievo.
Mr. Brumidi has submitted a design for its embellishment in this manner
consisting of a series of natural pictures arranged in a chronological
order. It is hoped this subject may receive attention, and that his
design may be adapted or modified or other designs invited for this
decoration from artists of acknowledged merit.”
Brumidi was sixty years old at the completion of this Dome Canopy. He
had made 4,664 square feet of fresco in eleven months’ time on the inner
surface of the Capitol’s Dome. This Canopy is 65 feet in diameter, has a
concavity of 21 feet and displays its heroic figures as life-size from
the floor of the Rotunda, 180 feet below.
Public-domain text, read in full here on John Shaqi.
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