Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The eminence on the right is the Jouchi Daghi, or “Giant’s Mountain,”
impending over the valley. The reason assigned for this name is a
singular one. Among the many persons of our Scriptures, recognized by
the Koran, is Joshua the son of Nun; to whom its commentators attribute
an immense stature. They affirm that he was sent against the Roum or
Greek infidels, whom he defeated in a battle, during which the sun went
down in his ordinary course, but immediately rose again; so they could
not be saved. It was his custom to sit on this mountain, and bathe
his feet in the waters of the Bosphorus below; and when he died, they
could find no place large enough on the hill for his grave, so they
buried only one of his feet. These extravagant fictions they support by
two authorities. There is a dervish mosque on the summit, and a large
enclosure beside it. In the enclosure is a tomb seven yards long, which
they show as the evidence of the length of the foot buried there; and
on the walls of the mosque is an inscription in Arabic, detailing the
history of Joshua, whom they call _Usha ben Nun_. It concludes with a
caution to the incredulous: “If any one doubt, let him look to this
inscription, and believe.”
A circumstance almost as incredible, in modern times, has rendered the
Giant’s Mountain famous. It is now ten centuries since the Russians,
in their log-boats, made the first attempt on Constantinople, and
their squadrons advanced to the Balkan Mountains. As they became a
more civilized and powerful people, the attempts were made with more
probability and perseverance; and Peter the Great, having Archangel on
the White Sea, and St. Petersburg on the Baltic, conceived the hopes
of rounding his vast empire by annexing Constantinople as his southern
port, and so commanding all the seas that encircle it. Since that time,
the great policy and ambition of the Russians seemed directed to this
object; but while all Europe were anxiously watching their hostile
approaches, and the desperate struggles of the Turks to resist them,
people saw with astonishment a large fleet and an immense army quietly
approach the capital, and disembark, not as enemies, but as friends and
protectors; and, after an interchange of amity and good will between
these deadly enemies, the one departed as peaceably as they came, and
the other erected a monument as an everlasting memorial of their visit.
It was at this interesting moment the Illustration was made, while the
tents of the Russians whitened the mountains above, and the treaty of
Hunkair Iskelessi was signed in the valley below. It represents the
splendid caïque of the sultan returning from a friendly visit to his
new allies, and the crowded boats of the Bosphorus “suspending the
dashing oar,” as the homage paid to his passing.
Public-domain text, read in full here on John Shaqi.
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