Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The walls of Constantinople, notwithstanding the shocks of earthquakes,
the numerous assaults of besiegers, the decay of time, and the
dilapidations of neglect, are at this day surprisingly perfect; and
though fifteen centuries have passed since their first erection, they
include the same space, and stand at the same elevation. The great
wall, forming as it were the base of the triangular area on which the
city is built, and running from sea to sea, is nearly five miles in
extent: a broad high road passes parallel to and just under it, so
that a traveller can view without interruption the whole line, from
the Golden Horn to the Propontis, and contemplate, during a delightful
walk, the most interesting remains perhaps existing in the world.
In some places the rising ground so elevates him, that he sees a
considerable part of the interior of the city over the walls, and he
looks down upon places, hallowed by various recollections, which the
narrowness and obscurity of the streets prevent his viewing from within.
This wall, originally erected by Constantine the Great, was enlarged
by Theodosius, and is therefore called after his name. It suffered
various shocks by violence of different kinds−-of nature, time, and
the hand of man−-and was finally repaired by Leo and Theophilus. From
the district called Blachernæ, where it meets the harbour, it rises to
an immense height, and towers to a surprising elevation above the head
of the passenger. The uniformity is broken, however, by the remains of
edifices on the summit of the wall, and the rich drapery of ivy and
various trailing plants, which cover it. Here the wall, secured by its
magnitude, is single, and presents but one defence. But at the gate
called Egri Kapousi, or the crooked gate, where it forms an angle, the
elevation is less, and the defence increased by a triple wall of three
parallel fortifications, which extend to the Seven Towers and the sea.
The walls are eighteen feet asunder, crowned with battlements, and
defended by fifty-nine towers, of various forms and sizes. Inserted in
different places are tablets of stone or iron, containing inscriptions
which commemorate events, or persons who repaired the walls; but most
of them are now entirely effaced, particularly those on iron, by the
rust and corrosion of the metal. The masonry in some parts consists
of huge blocks of granite, resembling those early structures in
Greece called Cyclopean, from the fancy of mythologists, that they
had been erected by gigantic architects. In others, they are composed
of alternate courses of broad flat bricks, resembling our tiles, and
stones twice the thickness. Arcades and arches, both in the walls and
towers, are formed, in a curious manner, of similar materials. The wall
is entered by seven gates, called by the names of the towns to which
they lead, or some circumstance connected with them. Of the latter, is
the gate of Top Kapousi.
Public-domain text, read in full here on John Shaqi.
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