Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
This gate, called also _Porta Sancti Romani_, as leading to the Greek
church of St. Romanus, was that rendered memorable by the final attack
of the Turks. Before it stands the Mal Tepé, one of those artificial
mounds, supposed to be sepulchral tumuli, which are spread for many
hundred miles over these regions, both in Europe and Asia. The summit
commands an extensive view of the interior of the city, and here
Mahomet II. erected the Sandjak-sheriff, or great standard of the
Prophet, and directed the operations of the siege. Beside the gate are
seen, yet unrepaired, the breaches made in the walls by that enormous
artillery which he caused to be cast for the purpose, and on the summit
of the gate are placed some of the huge granite balls discharged from
them, in memory of the event; and hence the gate is now called Top
Kapousi, or “Port of the Cannon.” When the cross was sinking under the
crescent, and the great capital of the Christian world was just falling
into the hands of the followers of Mahomet, Constantine retired to the
church of Sancta Sophia, and, after receiving, with his few faithful
adherents, the solemn eucharist, proceeded to make his last effort in
the breach. He was killed in the attack, and the Turks poured into
the devoted city over his body. There is no tomb, or coin, or other
artificial memorial, to preserve the name of this good and gallant
man; but nature has herself supplied the neglect. There grows out of
the breach some picturesque and venerable trees, on the spot where
tradition says he fell; and travellers gather the red berries in their
season, to sow and propagate at home these testimonials of the last and
best of the Palæologi.
[Illustration: T. Allom. W. H. Capone.
YÈRÈ-BATAN-SERAÏ, CONSTANTINOPLE.]
This appellation literally means “The Subterranean Palace,” and it
is given to the only one of the many cisterns with which the city
was excavated, now remaining in use for the purpose for which it
was erected. Some are filled up, and converted into gardens; one
called Bin bir Derek, which we have before noticed, and given in our
illustrations, is a silk factory; but the “Subterranean Palace” still
remains a cistern filled with water.
Public-domain text, read in full here on John Shaqi.
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