Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The scenes of carnage that followed are revolting to humanity. The
Roman pontiff himself, who had granted a plenary indulgence to all who
engaged in the expedition, was compelled to denounce their brutality.
He accused them of “sparing neither age nor sex, nor religious
profession, of the allies they came to assist; deeds of darkness were
perpetrated in the open day; noble matrons and holy nuns suffered
insult in the Catholic camp.” As an instance of individual suffering,
an imperial senator, Nicetas, an eye-witness, details what he himself
endured. His palace being reduced to ashes, he fled for refuge to an
obscure house in the suburbs of the town. Here he concealed himself,
guarded by a friendly Venetian in disguise, till an opportunity
occurred of saving his own life, and the chastity of his daughter, from
the ferocious crusaders who were pillaging the city. On a winter’s
night, with his wife and tender child, carrying all they possessed on
their shoulders, they fled for life; and, in order to disguise their
rank and features, smeared their clothes and faces with mud; nor could
they rest a moment, from their pursuers, till they reached a distance
of forty miles from the capital. On their road, they overtook the
venerable Greek patriarch, the head of the Christian church in the
East, flying also for his life, mounted on an ass, and almost naked.
Nicetas afterwards lived to instruct and inform the world, by his
important history of these events.
Meantime the captors glutted, without restraint, every passion. They
burst into the church of Santa Sophia, and other sacred edifices, which
they defiled in the most wanton manner. They converted sacred chalices
into drinking-cups, and trampled under foot the most venerable objects
of Christian worship. In the cathedral, the veil of the sanctuary was
torn to pieces for the sake of the fringe, and the finest monuments of
pious art broken up for their material. It would be too revolting to
detail all the particulars of these impious outrages; let one suffice.
They placed on the throne of the patriarch a harlot, who sang and
danced in the church, to ridicule the hymns and processions of the
Oriental Christian worship.
Public-domain text, read in full here on John Shaqi.
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