Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The dress of the clergy under the Lower Empire was not remarkable; and
under the first year of the Ottoman sway, it retained its indistinct
simplicity; but in the reign of Soliman an alteration took place. A
deputation of the patriarch and his prelates issued from Adrianople, to
do him homage; and the Turks seeing this mass of people approaching,
and not recognizing them by any dress, supposed their intention
hostile, and prepared to attack them, when they discovered their
mistake. To prevent the recurrence of such a thing, the clergy were
ordered to assume a particular and conspicuous dress, by which they
could be recognized at a distance; they, therefore, adopted one on the
other extreme: bright hats of crimson velvet, adorned with glittering
crosses of gold. This is now laid aside, and one extremely humble, but
sufficiently distinctive, is substituted. That of the dignitaries was
adopted from the monks of mount Athos−-a black crape veil thrown over
a plain black cap, and falling down the shoulders. The dress of the
papas is a plain tunic of blue cotton, and a felt hat without a brim,
but broader on the top than below. When he is a married man, his state
is indicated by a narrow band of white muslin round his black cap. All
wear beards, which they cherish till they grow to a venerable length.
Their vestments, when performing service in their churches, are rich
and gaudy.
Our illustration represents the installation of a bishop in the
metropolitan church of Magnesia: the throne is before a screen which
separates the nave from the sanctuary, into which none are allowed to
enter but the clergy. This screen is profusely adorned with pictures of
saints,−-an essential part of the decorations of every Greek church.
Among the priests and elders who assist at the ceremony, is one who
holds a triple taper, to represent the Trinity; with this emblem,
patriarchs and bishops confer their blessing, waving it over the heads
of the congregation while they pronounce the benediction. During this,
one finger is carefully bent, so as to separate the little finger from
the first and second, to intimate that peculiar dogma of the Greek
church, “the procession of the Spirit from the Father only.”
Public-domain text, read in full here on John Shaqi.
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