Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The stricken rock sent forth the bubbling tide:
That rock was Christ, the sacred bards declare−-
The perishable nature never died,
Which drank its rill.−-But, lo! faint mortal, where
Another fount his pitying mother gives.
Approach−-the dying man who drinks it lives.
This invitation was obeyed, and crowds rushed to drink the gifted
waters. The 29th of April was appointed, in the Greek church, for the
celebration of a festival in honour of the Spring, and the day always
displayed an extraordinary spectacle of Greek credulity and enthusiasm.
During the disturbance of the insurrection, this ceremony had been
suspended. Those who attempted to celebrate it were attacked by the
Turks, who assaulted and dispersed the crowds, and the sacred fount
was approached only secretly and occasionally by individuals. But when
tranquillity was restored, and the Greeks were again allowed to resume
the celebration of their religious rites, the multitude thronging to
this place on the appointed festival was astonishing. A traveller
who was induced to witness it, even before the church was rebuilt,
passed with a whole fleet of caïques from Pera and Constantinople, to
the nearest landing-place on the Sea of Marmora. From thence there
was a constant current of people ascending through the city to the
Selyvria gate, and on issuing from that, he found the whole plain
densely crowded for several miles with a concourse of Turks as well as
Christians; it resembled an English fair, where refreshments were sold,
trinkets and wares exhibited, and all sorts of amusements practised.
Bulgarian minstrels, the constant attendants on such meetings, walked
pompously about, blowing their enormous bagpipes; crowds of Greeks,
holding white handkerchiefs so as to form a long chain, went through
all the mazes of the romaika, while a vast number of Turkish females,
shrinking from such a display of themselves, sat decorously and quietly
on the elevated banks, in various groups, passing from mouth to mouth
the tube of one long chibouque, or nargillai, while the bowl or vase
remained fixed in the centre, and the mouth-piece went round the circle.
Though more passive in their admiration, they seemed no less interested
in the object of the festival.
Public-domain text, read in full here on John Shaqi.
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