Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
Our illustration represents what travellers suppose to have been the
senate-house. It consists of many piers, supporting arches of stone;
among which lie marble fragments of great beauty, mouldings, cornices,
pedestals, and columns, marking by their sculpture and abundance the
opulence of the inhabitants, and the advanced state of the arts among
them. On a portion of the wall is a legible inscription, creditable
to the people. It states that they had “elected Asem to be their
magistrate for life, as a reward for his piety and integrity.” Beyond,
extending over the plain, are the remains of various edifices−-a
stadium, amphitheatre, and other evidences of wealth and civilization
in this rich country, where all is now solitary and desolate−-where a
few wandering Turcomans make a temporary abode, and their feldt-tents
strongly contrast with what remains of the splendid edifices of its
former possessors.
[Illustration: W. L. Leitch. J. Tingle.
THE CASTLE OF PARGA, ALBANIA.
TURKEY IN EUROPE.]
Of all the places contained within the circuit of the Ottoman empire,
this little town is, perhaps, the most interesting to England; because
its fate has compromised that high and before unsullied character for
good faith, which had ever distinguished British transactions, and left
a stain behind which no length of time can entirely wash away.
This town is of comparatively modern foundation, and was unknown before
the fifteenth century. Its erection was attributed to a miracle in the
Greek church. The Christian inhabitants had occupied a place in the
interior, open to the continued assaults and attacks of the Turkish
invaders of the country. While deliberating on searching for a more
secure site, a shepherd, following after some stray sheep, discovered,
in a cave over the sea, a statue of the Panaya, and brought it with
great reverence to a church in the old city. The image, however, would
not rest there, but returned to her former abode. It was brought back,
but again returned; when the inhabitants, hailing the miraculous omen,
followed it, built a church over the cave in which it was found, and
commenced a new city round the church. So Parga rose upon its sea-beat
rock, impending over the Adriatic, and protected by its impregnable
situation from all attacks of the Infidels. The site chosen was
particularly beautiful. A conical hill juts out from a deep bay,
having secure harbours on each side. From hence the bay sweeps with
picturesque curves, embracing with its long arms a magnificent sheet
of water; the view terminated behind with the rugged precipice of the
Albanian chain, and before by the islands of Paxo and Corfu, floating
on a singularly clear and lucid sea. On the summit, over the caves,
stands the acropolis of the city; and sloping down the sides, the
houses of the inhabitants.
Public-domain text, read in full here on John Shaqi.
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