Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
footing has no stability, as the boat has no hold of the water beneath
the point of pressure: if he step on the gunwale, it turns over at
once, as there is no keel to offer resistance. It requires therefore
considerable caution to enter a caïque; and when this is effected, the
passenger sits on the bottom, either at length or from side to side.
Sometimes these unstable skiffs carry a sail, at the imminent hazard of
upsetting. As they have neither keel, ballast, or rudder, the passenger
must move hastily to the windward side, and watch to counterpoise the
pressure of the sail. Caïques are the only ferry-boats to cross from
shore to shore, and various wooden platforms, called iskelli, project
from the beach for their accommodation. On each of these stands a
venerable Turk with a long beard, and generally a badge, which denotes
him to be a _hadgee_, or “pilgrim,” who has made a perilous journey
to the tomb of the Prophet. He keeps order with his baton; and when
you are safely deposited in the bottom of the boat, he gives you the
pilgrim’s benediction−-_Allah smaladik_, “I commend you to God.” From
the constant and crowded intercourse between 700,000 people, inhabiting
the peninsulas on both sides of the water, and each skiff taking no
more than one or two passengers, the water is covered all day long with
these caïques in constant motion. The passengers are clad in snow-white
turbans, tall calpacs, and flowing pelisses, of scarlet or other
dazzling colours, so that this ever-moving scene is a perpetual change
of elegant forms and brilliant hues.
Public-domain text, read in full here on John Shaqi.
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