Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
A few years had brought experience to the Greeks, and a more mature
judgment led them to select a better situation. About thirty years
after, Byzas led another colony from Megara. He consulted the oracle,
as was usual in such cases, where he should erect his new city; and
the answer was, of course, wrapt in mystery. He was directed to place
it “opposite the city of the blind men.” On exploring the mouth of the
strait, he discovered, on the European shore, a situation unrivalled
perhaps by any other in the world. A peninsula of gradual elevation was
washed on one side by the Propontis, and on the other by a magnificent
harbour, broad and deep, and sheltered from every wind, capable of
holding in security all the ships of all known nations, and just
within and commanding the mouth of the great watery thoroughfare to
the newly discovered sea. Here they built their city, and called it
Byzantium, after its founder Byzas, who, from his singular judgment and
sagacity in maritime affairs, was also denominated the Son of Neptune.
The accomplishment of the mysterious oracle was now apparent. The
striking contrast between his selection and that of his predecessors
on the opposite coast, caused their settlement to be called “the City
of the Blind Men,” because its founder overlooked, or could not see
the beauties and benefits of the site of Byzantium, when he had full
liberty to choose. Byzantium was afterwards enlarged and re-edified
by Pausanias, a Spartan, and, in process of time, from the singular
superiority of its commanding situation and local advantages, became
one of the most important of the free and independent republics of
the Greeks, and suffered the penalty of its prosperity by becoming an
object of envy and cupidity to its contemporaries.
Public-domain text, read in full here on John Shaqi.
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