Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
For an hour fireworks exploded, horses
pranced, and the crowd circulated very much at its will, while a high
sweet chanting sounded at intervals from within. Then majesty reappeared,
mob and wedding lanterns and all, the soldiers shouted again, and the
tall white archway once more received the Caliph of Islam.
[Illustration: The imperial cortège poured from the palace gate
Drawn by E. M. Ashe]
What takes place within the mosque, and, I suppose, within all mosques
on the Night of Power, Christians are generally allowed to watch from
the gallery of St. Sophia. The sight is most impressive when the
spectators are most limited in number—as was the case the first time I
went, ostensibly as a secretary of embassy. But I must add that I was
considerably impressed by the fact that another spectator was pointed out
to me as Sir Arthur Conan Doyle! Of course the place itself contributes
chiefly to the effect. Its hugeness, its openness, its perfect
proportion, its reaching of pillar into arch, of arch into vault, of
vault into dome, make an interior that predisposes to solemnity. The gold
mosaic that was once its splendour is now largely hidden under the colour
wash of the modern restorer, but the Night of Power brings out another
gold. The cornices of the three galleries, the arches of the first, the
vast space of the nave, are illuminated by thousands of wicks whose
soft clear burning in glass cups of oil is reflected by the precious
marbles of the walls. You look down from the gallery through a haze of
light diffused by the chandeliers swinging below. These, irregularly
hung about three central chandeliers, are scalloped like flowers of six
petals. They symbolise the macrocosm, I believe, but they might be great
water-lilies, floating in their medium of dusky gold. Under them the
nave is striated by lines of worshippers, their darkness varied by the
white of turban or robe, men all, all shoeless, standing one close to
the next with hands folded and heads down. There is not an exception to
the universal attitude of devotion—save among the chattering spectators.
The _imam_, from his high hooded pulpit with the sword and the banners
of conquest, recites the prayers of the evening. Choirs, sitting
cross-legged on raised platforms, chant responses from the Koran in a
soaring minor that sounds like the very cry of the spirit. Every now and
then a passionate “_Allah!_” breaks out or a deep “_amin_” reverberates
from the standing thousands. The long lines bow, hands on knees, and
straighten again. Once more they bow, drop to their knees, bend forward
and touch their foreheads to the ground, with a long low thunder that
rolls up into the dome. The Temple of the Divine Wisdom can rarely have
witnessed a more moving spectacle of reverence and faith.
IX
MOHAMMEDAN HOLIDAYS
Public-domain text, read in full here on John Shaqi.
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