Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
But these are only incidents in the general tide of merrymaking. Eating
and drinking, music and dance, go on without interruption for three days
and three nights. The music is made in many ways, of which the least
popular is certainly not the way of the _lanterna_. The _lanterna_ is
a kind of hand-organ, a hand-piano rather, of Italian origin but with
an accent and an interspersing of bells peculiar to Constantinople.
It should attract the eye as well as the ear, usually by means of the
portrait of some beauteous being set about with a garland of artificial
flowers. And it is engineered by two young gentlemen in fezzes of an
extremely dark red, in short black jackets or in bouffant shirt-sleeves
of some magnificent print, with a waistcoat more double-breasted than you
ever saw and preferably worn unbuttoned; also in red or white girdles,
in trousers that flare toward the bottom like a sailor’s, and in shoes
or slippers that should have no counter. Otherwise the rules demand that
the counter be turned under the wearer’s heel. Thus accoutred he bears
his _lanterna_ on his back from patron to patron and from one _panayíri_
to another. His companion carries a camp-stool, whereon to rest his
instrument while turning the handle hour in and hour out. I happen,
myself, to be not a little subject to the spell of music. I have trembled
before Fitzner, Kneisel, and Sevčik quartettes and I have touched
infinity under the subtlest bows and batons of my time. Yet I must
confess that I am able to listen to a _lanterna_ without displeasure. On
one occasion I listened to many of them, accompanied by pipes, drums,
gramophones, and wandering violins, for the whole of a May night on
St. George’s hilltop in Prinkipo. What is more, I understood in myself
how the Dionysiac frenzy was fed by the cymbals of the mænads, and I
resented all the inhibitions of a New England origin that kept me from
joining the dancers. Some of them were the Laz porters of the island,
whose exhausting measure was more appropriate to such an orgy than to
Easter Monday. Others were women, for once; but they kept demurely to
themselves, apparently untouched by any corybantic fury. The same could
not be said of their men, whose dancing was not always decent. They
were bareheaded, or wore a handkerchief twisted about their hair like a
fillet, and among them were faces that might have looked out of an Attic
frieze. It gave one the strangest sense of the continuity of things.
In the lower darkness a few faint lights were scattered. One wondered
how, to them, must seem the glare and clangour of this island hilltop,
ordinarily so silent and deserted. The music went up to the quiet stars,
the revellers danced unwearying, a half-eaten moon slowly lighted the
dark sea, a spring air moved among the pines, and then a greyness came
into the east, near the Bithynian Olympus, and at last the god of
hilltops rode into a cloud-barred sky.
Public-domain text, read in full here on John Shaqi.
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