Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
grave, all mark of which seems to have disappeared, is that of Jan Van
Mour, a Fleming whom Louis XV made “peintre ordinaire du roy en Levant.”
He had the good fortune to live in Constantinople during the brilliant
reign of Ahmed III, and he was the painter who started in France the
eighteenth-century fashion of _turquerie_. The Museum of Amsterdam
contains a large collection of Turkish documents from his brush, while
there are others in France and in the castle of Biby in Sweden.
* * * * *
The stones of Galata have more to tell than those who ungratefully tread
them are wont to imagine. But they are by no means Christian stones
alone. Although the Latins naturally diminished in number after the
Turkish conquest, the city quickly outgrew its walls. While part of this
growth was due to the influx of Venetians, and later of Greeks, from the
opposite side of the Horn, a good deal of it came about through Turkish
colonisation. This was chiefly without the walls. You can almost trace
the line of them to-day by the boundary between populations. The Turkish
settlements gathered around mosques, palaces, and military establishments
built by different sultans in the country about Galata, mainly on the
water-front. One of the oldest of these settlements grew up in the deep
ravine just west of the Galata wall. It is now engaged in readjusting its
relations to the rest of the world, but it still remains like a piece of
Stamboul, and it is the home of many dervishes. It took its name from a
vizier of Süleïman the Magnificent, the conqueror of Nauplia and twice
governor of Egypt. He was known as Handsome Kassîm, but he ended his days
in bad odour. His quarter is supposed to take after him in the latter
rather than in the former particular by those who do not appreciate what
Kassîm Pasha adds to the resources of Pera. No one, however, should be
incapable of appreciating what the cypresses of Kassîm Pasha do for the
windows of Pera. They are all that is left of the great grove of the
_Petits Champs des Morts_, the old burial-ground of Galata. As the city
grew, the cemeteries, both Christian and Mohammedan, were removed to
the _Grands Champs des Morts_ at the Taxim. They, too, have now been
overtaken by the streets and turned in great part to other uses. But a
field of the dead was there again when the Young Turks took Pera from Abd
ül Hamid in 1909.
Public-domain text, read in full here on John Shaqi.
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