Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
No one, of course, undervalues the advantages of steam navigation, or
suggests a return to sailing ships. At the same time it remains true,
that never again will men see the Bosporus so beautiful as it looked in
days when its waters were untroubled by steam. Owing to the prevalence
of northerly winds in these regions, ships bound for the Black Sea were
liable to long detention on their way up from the Mediterranean. Great
fleets of merchantmen were accordingly apt to collect in the Dardanelles
and in the Golden Horn, waiting for a favourable breeze. They had
sometimes to wait six weeks ere they could stir. When at length the
south wind did come, every stitch of canvas the ships could carry was
unfurled, and an immense procession of winged sea-coursers and chariots
rode through the Bosporus day after day so long as the south wind blew.
In an hour, a hundred, two hundred, vessels might pass a given point,
all panting to reach the open sea before the wind failed, and racing one
another to get there first. Ships of all sizes and of every form,
European and Oriental, sails and rigging of every style; huge
three-masted merchantmen, “signiors and rich burghers on the flood,”
schooners, brigs, barges, caïques, “petty traffickers,” with their white
wings stretched over the blue waters, from one green bank across to the
other, flew before the wind, and formed a spectacle solemn and stately
as a royal or religious ceremonial. It was a magnificent scene of
colour, motion, and variety of form; of eagerness and achievement.
Public-domain text, read in full here on John Shaqi.
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