Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
When we think of the means of communication with the outer world, the
change is extraordinary. For the voyage from England to Constantinople a
sailing vessel took usually thirty to sixty days. It might be even three
months, as an Englishman still living in the city found, in 1845, in his
own case. To-day one travels by rail to London in three and a half
days. Letters from England took ten days. There was a weekly European
mail _viâ_ Trieste, and three times a month _viâ_ Marseilles. Now, a
European mail arrives daily. The postage on a letter was 1s. 4d. where
now it is 2½d. It is impossible to exaggerate the influence upon the
life of the place due to this close connection by steamship and by rail
with the Western world. The Ottoman authorities were not altogether
mistaken, from their point of view, when they looked with disfavour upon
the junction of the railroads in Turkey with the European railway
system. That junction, it was thought, would facilitate the military
invasion of the country. But ideas travel by rail, as well as soldiers.
And the invasion of a country by new ideas may have consequences as
formidable and far-reaching as any that arms can introduce. The
completion of the railroad between Constantinople and Vienna in 1888 may
be regarded as the conquest of the city by foreign thought and
enterprise. Little, perhaps, did the crowds, that gathered at the
Stamboul railway station on the 14th of August in that year to witness
the arrival of the first train from the Austrian capital, appreciate the
significance of that event. But it was the annexation of Constantinople
to the Western world. New ideas, new fashions now rule, for better and
for worse. And soon the defects and the charms of the old Oriental city
will be a dream of the past.
Public-domain text, read in full here on John Shaqi.
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