Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Owing to the narrowness and steepness of the streets of Constantinople,
the transportation of heavy loads through the city by means of wheeled
vehicles has always been a difficult, and often an impossible,
undertaking. Much has been done in recent years to widen and grade the
chief thoroughfares. The authorities are even accused of having
occasionally secured that improvement, by setting fire to the houses
along an old narrow but picturesque lane in order to take advantage of
the law, that when a house is rebuilt the municipality has the right to
appropriate a part of the old site to broaden the public way, without
giving compensation to the owner of the ground. Moreover, during the
Russo-Turkish War of 1876-77, the Moslem refugees from Bulgaria
introduced the use of a rough four-wheeled cart drawn by one horse, and
that conveyance is now extensively employed. The old-fashioned, long,
narrow, wagon drawn by a pair of oxen or buffaloes, so primitive that it
might be a wagon which the Huns left behind in their march through the
land, still crawls and creaks under a pile of the household furniture
of a family removing from one house to another, or from town to country,
or from country to town. But the means of transportation most
characteristic of the place are the backs of animals and of men. To an
extent seen nowhere else, at all events, in Europe, the streets are
obstructed by long trains of donkeys and horses carrying planks, or
stones, or lime, or bricks, to some building in course of erection, or
hurrying back from it for fresh loads. It is, however, in the employment
of human beings as beasts of burden that Constantinople excels.
[Illustration: A STEP STREET
A typical street in the old Turkish quarter; the houses are built almost
entirely of wood, brilliantly painted, and hardly two in the street are
on the same level; the lattice work at the windows indicates the women’s
quarters.]
Public-domain text, read in full here on John Shaqi.
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