Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
with one another, and several figures wearing mural crowns, representing
the cities conquered by the armies of the two Emperors.” From the
pedestal to the summit of the column 23 drums of marble, so well joined
as to seem one piece of stone, soared some 121 feet higher to give
the monument a total altitude of 146 feet. The figures on the upper part
of the shaft were larger than those nearer the ground, so as to appear
of the same size as the latter when seen from a distance. The hollow
shell of the shaft was 28 feet round, and from 2 feet to 1¾ foot
thick, the thickness diminishing as the shaft ascended. From the door in
the northern side of the pedestal 233 steps, lighted by 50 lights, led
one through the shaft to a door opening upon the abacus of the capital,
a platform 17¾ feet square, from which to survey securely the
glorious panorama presented by the great city below, and the surrounding
landscape of sea and islands and mountains.
[Illustration: TURKISH DELIGHT FACTORY
The contents of the large copper pans are kept stirring for two hours or
more over a wood fire; various flavourings are added during this process
according to the result desired; those mostly in use are essence of
almonds, vanilla, rose leaves, almonds and pistachios.]
CHAPTER III
THE MAKING OF CONSTANTINOPLE UNDER THEODOSIUS II.
408-447 A.D.
SUCH ornamental public works, as have been described, were, like the
blossoms on a plant, indications of the general growth and flourishing
state of the city. In point of fact, we learn from historians of the
times that the population increased at an extraordinary rate, and put a
severe strain upon an adequate supply of food and of sufficient
accommodation. The ships importing wheat from Egypt, Asia Minor, Syria,
and Phœnicia had all they could do to provide enough bread for the
hungry multitudes of the new capital. The dwellings in the city were so
closely packed, that the inhabitants, both at home and out of doors,
felt cribbed, coffined, and confined. The narrow streets were so
encumbered with beasts of burden carrying building material in all
directions, that it was dangerous to walk abroad. Ground for building
had become so scarce that land had to be made by filling in portions of
sea along the shores of the city, and the houses on that artificial
ground alone formed a considerable town. And so the time came when it
was no longer possible to keep the city within the bounds prescribed by
its founder, and measures had to be taken to give Constantinople the
size and strength required by the altered circumstances of its history.
This was done in 413, early in the reign of Theodosius II., and
eighty-five years after the foundation of the city. The western limits
of New Rome were then carried to the line of fortifications, whose
ruins, like veteran warriors loth to quit their post, stretch to-day
from the Sea of Marmora to the old Byzantine Palace, known by the
Turkish name Tekfour Serai.
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