Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
enables us to understand why religious conflicts caused so much anxiety
to the imperial Government of New Rome.
Another feature in the religious life of Constantinople that became very
distinct in the time of Theodosius II., was the veneration cherished for
relics, and the growing desire to consecrate and enrich the city by
their presence. The body of Chrysostom was taken from its grave in
Pityus and entombed in the Church of the Holy Apostles, as an act of
reparation for the wrongs he had suffered, and as an atonement for the
sins of his persecutors. The supposed relics of Joseph and of Zacharias,
on their arrival in the city, were received with great pomp by the
Emperor, the Senate, and great officials, as though the saints were
being welcomed in person. Pulcheria brought the relics of the Forty
Saints martyred at Sivas, and enshrined them in a church she erected on
the Xerolophus. To her also is ascribed the foundation of the three
principal churches dedicated to the Mother of the Lord, S. Mary of
Blachernæ, S. Mary Chalcoprateia and S. Mary Hodegetria, to become
treasuries rich in relics of the Theotokos. The Empress Eudocia, on her
return to Constantinople from a pilgrimage to Jerusalem, brought with
her, besides other relics, the portrait of Christ ascribed to S. Luke.
In this way, Constantinople grew to be a sacred city, a sanctuary to
which pilgrims came to acquire merit and receive benefits, almost as
great as those obtained by a pilgrimage to the land over whose acres
walked the blessed feet of the Saviour.
To omit all reference, however brief, to the influence of ladies in the
public life of Constantinople while Theodosius II. occupied the throne,
would be to omit an important feature of the time; a feature which often
reappeared in the subsequent life of the Empire, and profoundly affected
the course of its history. Pulcheria, the sister of Theodosius II., was
the power behind her brother’s throne. She directed his education,
arranged his marriage, and was, with brief interruptions, the presiding
genius of his career. The vow of virginity which she had taken, and
which she persuaded her sisters to take, her charities, her activity in
building churches, her orthodoxy, all rendered her popular in devout
circles and with the dominant ecclesiastical party. To her was due the
strong religious tone of the Court, and in the theological disputes
that agitated the Church and the State in her day she took an active
interest, and helped materially to determine the particular form of
their settlement. Her opposition to Nestorius and Eutychius had much to
do with the condemnation of their views. And notwithstanding the
occasional loss of her influence over a brother who was too weak to
adhere steadily to a single course, she triumphed at last over all her
rivals, and upon his death mounted the throne as the consort of Marcian.
[Illustration: STREET SCENE, ROUMELI HISSAR
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