Constantinople, painted by Warwick Goble, described by Alexander Van Millingen — John Shaqi
Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
It could not be otherwise. A city exalted to be the capital of the part
of the Empire under the sway of Greek traditions, and employing the
Greek language as a vernacular speech, would inevitably consider itself
called upon to embody and champion the peculiar properties of the
society of which it was the constituted head. Nor could a community
whose religious life was under the direction of a Church that worshipped
in the Greek tongue, and was stirred by the eloquence of the
Chrysostoms, the Gregories, and the Basils of the East retain a Roman
complexion and character without serious modifications. So long, indeed,
as the western division of the Empire existed, the political union
between Rome and Constantinople proved a check upon the Greek bias of
the latter city, owing to the necessity of using Latin, as the language
whose writ could run equally in both parts of the Roman world. The Popes
of Rome, with characteristic insight, recognised the value of a common
official language as a bond of unity, and an instrument of maintaining
universal rule. The use of the Latin in the services and administration
of the Roman Church is a master-stroke of political genius. But when
partly by the estrangement of the two portions of the Empire, and partly
by the Fall of the Empire in the West, the need of a common speech
ceased to exist, the stream of tendency in the East was left free to
follow its natural bent.
[Illustration: A BLACKSMITH’S SHOP]
Within the period under review we see, of course, only the early
symptoms of the Greek bias to gain ascendency, but though these symptoms
are comparatively slight, they are the proverbial straws that indicate
the direction of the wind. While Latin alone glitters in the
inscriptions upon the Golden Gate, Greek also is allowed a place in the
legends which celebrate the elevation of the obelisk upon its pedestal
in the Hippodrome. The pedestal adorned by the statue of the Empress
Eudoxia likewise bore a bilingual inscription. The extraordinary energy
displayed by the Prefect Constantine in the erection of the outer
Theodosian Wall is lauded, on the Gate of Rhegium, in both languages.
Probably the same was the case in the record of that splendid
achievement put upon another gate of the fortifications--the Gate
Xylokerkou--although the historian, owing doubtless to his ignorance of
Latin, has preserved only the Greek version. But the balance inclines in
favour of Greek, when, at the University of Constantinople, there are
more professors attached to the studies in that language than to the
studies in the tongue of the elder Rome. At the same time also, the
Prefect Cyrus introduced the custom of publishing decrees in Greek
instead of in Latin. And along with this preference for Greek in speech,
there is a marked growth of what was Greek in spirit. Thus in the
relations between the Empire and Persia, as well as in the relations
between the Empire and the barbarians, the Government of Constantinople
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