Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
assault after assault upon the citadel which guarded its fate and the
destiny of Europe, that the struggle waged between civilisation and
barbarism during the history of New Rome is fully recognised to have
been, indeed, a struggle for life, and that we learn to appreciate what
we owe to the Warden of the Gates to the Western World. To these walls
may be applied the words in which Mr. Gladstone appraised the value of
the services rendered by the Christian populations of the Balkan
Peninsula, in a similar connection. “They are like a shelving beach that
restrained the ocean. That beach, it is true, is beaten by the waves; it
is laid desolate; it produces nothing; it becomes perhaps nothing save a
mass of shingle, of rock, of almost useless sea-weed. But it is a fence
behind which the cultivated earth can spread and escape the incoming
tide.... It was that resistance which left Europe to claim the enjoyment
of her own religion, and to develop her institutions and her laws.”
Although inferior as military works to the other portions of the
landward walls, great historical interest is associated with the
fortifications between the Wall of Manuel and the Golden Horn, for they
guarded the Palace of Blachernæ, the favourite residence of the
Byzantine Court from the time of Alexius Comnenus (1081-1118) until the
fall of the Empire. As already intimated, the palace stood on the
terrace buttressed by the Tower of Isaac Angelus and the chambered wall
to the north of the tower, where the Mosque of Aivas Effendi is now
found. The terrace was almost level with the parapet-walk of the
fortifications, commanding fine views of the Golden Horn, and of the
hills at the head of the harbour; and there the most splendid Court of
the Middle Ages long displayed its wealth and pomp. What with the
Crusades, and what with the relations, hostile and friendly, between the
Italian Republics and the Government of Constantinople during the period
of the Palæologi, it was in that palace that Western and Eastern Europe
came into closest contact for good or for evil. On the hills and in the
valleys seen from the western windows of the palace, the armies of the
First Crusade encamped. To that residence came Peter the Hermit, Godfrey
of Bouillon, Robert of Normandy, Bohemond, Tancred, “the mirror of
knighthood,” Count Robert of Paris, to wonder at the marvels of
Byzantine Art, and to attempt the co-operation of the East and the West,
in the great political and religious undertaking of the times. On the
hill immediately in front of the walls the soldiers of the Fourth
Crusade pitched their tents, and thence Baldwin of Flanders and Hainaut,
Henry his brother, Louis of Blois and Chartres, and Hugo of Saint Paul,
led four divisions of the army against the wall erected by Leo the
Armenian. The wall was held by Varangian troops, the imperial
body-guard, recruited from England, Denmark, Norway, and Russia. “The
assailants,” to quote the words of Ville-Hardouin, a witness of the
Public-domain text, read in full here on John Shaqi.
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