Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
combat, and the historian of the Crusade, “placed two scaling-ladders
against an outer wall near the sea; the wall was furnished with
Englishmen and Danes, and the attack was strong, and good, and hard. And
by sheer force some knights and two sergeants mounted the ladders, and
became masters of the wall. Fully fifteen reached the wall, and they
fought hand to hand with axes and swords. And the men within returned to
the charge and drove them (the assailants) out, right rudely, even
taking two of them prisoners. And those of our men who were captured
were led to the Emperor Alexis, and he was very highly delighted. So
ended the attack by the French. And there was a considerable number of
men wounded and of maimed; and the barons were very angry about it.”
The recovery of Constantinople from the Latins in 1261 did not diminish
Italian influence over the life of the city. On the contrary, from that
time to the close of Byzantine history that influence, modified indeed
by the rival force of Ottoman power, grew stronger and stronger.
Commercial interests, political necessities, schemes of ecclesiastical
union, literary sympathies, possibilities of aggrandisement at the
expense of an Empire hastening to ruin, made Italy, especially Genoa and
Venice, take a most active part in the affairs of New Rome. A Western
atmosphere, so to speak, then enveloped Constantinople, very much like
that which surrounds the City of the Sultans to-day.
But the portion of the walls about which the greatest and most pathetic
interest gathers is where Sultan Mehemet delivered his fatal blow upon
the Byzantine Empire, and won the title of “the Conqueror.” It is the
portion which stretches from Top Kapoussi (Gate of S. Romanus) to Edirné
Kapoussi (Gate of Charisius), across the ravine through which the
little stream of the Lycus, on its way to the Sea of Marmora, enters the
city. Owing to the depression of the ground and the impossibility of
constructing a deep moat there, this was the weakest point in the
Theodosian fortifications, and here the bravest of the defenders, under
Giustiniani of Genoa and the Emperor Constantine, manned the walls to
oppose the best troops under the command of the Sultan. Against this
part of the walls the enemy pointed his heaviest cannon, and here the
contest raged for more than seven weeks. Both the besieged and the
besiegers fought with the determination and the valour worthy of the
issues at stake. When the Turkish artillery broke down the Outer Wall,
Giustiniani and his Genoese and Greek comrades held their ground, and
replaced the fallen ramparts by a stockade built of stones, barrels full
of earth, beams, branches of trees--of anything within reach that would
hold together. Against that barricade wave after wave of Turkish troops
dashed and beat furiously and long. There were moments when the
defenders seemed to have gained the day. But like gleams of sunshine
that pierce storm clouds, they only served to make the impending
Public-domain text, read in full here on John Shaqi.
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