Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
catastrophe more tragic. Giustiniani was wounded and left the field. A
band of bold Turks entered the city through the postern of the
Kerkoporta, thoughtlessly left open, and, mounting the walls, planted
their banners upon the parapet. Anon, the cry “The city is taken” burst
upon the air and reverberated from tower to tower. A panic seized the
besieged. The Sultan, grasping his opportunity, roused his janissaries
to a supreme effort, and hurled them against the battered and
half-deserted barricade. The Emperor Constantine did everything in his
power to rally his followers and repel the terrible onset. It was
hopeless. He then sought and found a soldier’s death, rather than
survive the fall of his Empire. “All was lost save honour.” And over his
dead body the tide of conquest poured into the city.
Thus ended the history of more than a thousand years. Then Asia dealt
its worst blow upon Europe. Then the last vestige of the State, ruled
first by Rome from the seven hills beside the Tiber, and afterwards by
New Rome enthroned on the seven hills beside the Bosporus, disappeared.
Then the Crescent gained its greatest triumph over the Cross. Not many
spots in the world have been the scene of such momentous events as took
place in the little valley of the Lycus on the 29th of May, 1453.
There an Empire died, and a long and great epoch closed.
[Illustration: CONSTANTINOPLE AND GOLDEN HORN FROM THE CEMETERY AT EYOUB
Many a charming vista may be seen through the cypress trees in the
cemetery at Eyoub.]
It is very natural, when thoughtful men tread the road which skirts
these ancient fortifications, that the mind should be profoundly
impressed by the vanity of earthly might and greatness. On the one hand,
the way is strewn with the wreck and ruin of ramparts once deemed
impregnable:
O’er each mouldering tower,
Dim with the mist of years, grey flits the shade of power.
On the other hand, stretch great silent cemeteries, beneath whose dark
cypresses lies the dust of a dead multitude more than can be numbered.
As one has expressed the feeling awakened by this spectacle of wreckage
and mortality, “It is walking through the valley of the Shadow of
Death.” And yet, seeing there must be an end to all things, is it not
wiser and more just to dwell rather upon the glory that crowns these
bulwarks for their long defence of the civilised life of the world?
For a full account of the Turkish Conquest, see E. Pears’
_The Destruction of the Greek Empire_.
CHAPTER VII
AMONG THE CHURCHES OF THE CITY
Public-domain text, read in full here on John Shaqi.
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