Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Another church of historical interest is S. Saviour-in-the-Chora
(country), now Kahriyeh Djamissi, and popularly known as the Mosaic
Mosque, on account of the remarkable mosaics it still contains. It was
clearly in existence previous to the year 413, as thereafter it stood
within the line of the Wall of Anthemius, and could not then acquire the
distinction of being situated “in the country.” Accordingly, it is a
topographical landmark as regards the original extent of the city, only
second in importance to Isa Kapou Mesdjidi, which we have seen indicates
the line of the Constantinian Wall, the position of the first Golden
Gate, and the situation of the Exokionion. Like every church with so
long a life, S. Saviour-in-the-Chora has known many changes. It saw its
best days in the fourteenth century, when it was thoroughly renovated
by Theodore Metochites, and invested with the splendour which still
glows upon its walls, and makes it one of the most beautiful of the old
churches of the Byzantine world.
Not less interesting historically is the Church of S. John the Baptist
(Mir-Akhor Djamissi), situated in the quarter of Psamatia. It was
founded about 463 by Studius, a Roman patrician who, like many other
persons, when old Rome was tottering to its fall, fled from the West to
the East, as when New Rome neared its end, some thousand years later,
men escaped from the East to the West. The church was attached to a
large monastery belonging to the order of the Acœmetæ or Sleepless
Monks, who were so named because they celebrated Divine service in their
churches day and night without intermission. According to the original
constitution of the society the members of the order represented various
nationalities, Greek, Latin, Syrian, and were divided into companies
which passed from hand to hand, in unbroken succession, the censer of
perpetual prayer and praise. They sought thus to make the worship of
God’s saints on earth resemble that of the assembly gathered from all
nations and peoples and tongues that serves Him without ceasing in
heaven.
Even thus of old
Our ancestors, within the still domain
Of vast cathedral or conventual church
Their vigils kept; where tapers day and night
On the dim altar burned continually,
In token that the House was evermore
Watching to God. Religious men were they;
Nor would their reason, tutored to aspire
Above this transitory world, allow
That there should pass a moment of the year,
When in their land, the Almighty’s service ceased.
Public-domain text, read in full here on John Shaqi.
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