Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
As might be expected from the number and zeal of its inmates, the
monastery of Studius was highly venerated, and wielded immense
influence. Its abbot ranked first among the abbots of the capital, and
to it the Emperor was bound to pay an annual State visit on the 29th
August, one of the Baptist’s festival days. On that occasion the Emperor
usually came by water in the imperial barge from the Palace beside the
Hippodrome, and landed at the Gate (Narli Kapoussi) on the shore below
the monastery, where the abbot and his monks waited to receive the
sovereign. In this monastery the Emperor Isaac Comnenus in 1059, and the
Emperor Michael VII. in 1078, assumed the monk’s cowl. The former even
served as porter at the monastery gate, and so happy was he in his
retirement from the pomps and vanities of the world, that when his wife,
who had taken the veil at the time of his abdication, visited him, he
said to her, “Acknowledge that when I gave you a crown I made you a
slave, and that I give you freedom when I took it away.” His wife’s last
command was “that her body should be buried in the cemetery of the
Studion as a simple nun, with no sign to indicate that she was born a
Bulgarian princess and had been a Roman empress.”
No monks in the history of Constantinople showed themselves so
independent of ecclesiastical and State control as the monks of the
Studion. Enough to recall the fact that in the controversy which
agitated Constantinople and the Church at large for over a century
(725-842), as to the lawfulness of using pictures and statues in
religious worship, the monks of this monastery were the boldest and most
determined opponents of the Iconoclast emperors. The abbot Theodore, who
for many years led the opposition to the imperial authority in that
matter, is one of the great figures of the Eastern Church. Eight
occupants of the Byzantine throne found him a man who for conscience
sake defied all their authority, rejected all their favours, and
endured any suffering they chose to inflict. When the Synod, held in
815, ordered icons to be banished from the churches, Theodore and his
monks carried the sacred pictures in procession through the streets, and
gave them an asylum in his monastery. Nor was he only stern. He caused
the rejection of the treaty of peace with Crum, the King of Bulgaria,
because of the demand it contained to surrender the fugitives from that
monarch’s hard rule, many of whom had become Christians. To do so,
Theodore argued, would be to make void the gracious words, “Him that
cometh unto me I will in no wise cast out.” He held the view that no
monk should keep slaves, and condemned the persecution of the
Paulicians, urging that they who are ignorant and out of the way should
be instructed, not persecuted. There is a prevalent impression that the
pages of Byzantine history contain nothing but the recital of the life
of a servile and ignoble community, of a race of men who trembled at the
Public-domain text, read in full here on John Shaqi.
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