Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
To the women’s ward were attached a lady-physician, six assistant
lady-surgeons, and two female nurses. All patients were treated
gratuitously. Upon arrival at the hospital a patient’s clothes were laid
aside, and replaced by a white dress provided by the institution. There
was a liberal allowance of bread, beans, onions, olive oil, and wine,
for all able to partake of such food, while from time to time gifts of
money were distributed. The beds were kept clean, and a house-doctor
went through the wards every day to inquire of the patients, whether
they were satisfied with their treatment, and to examine their diet. In
addition to the hospital, the monastery maintained, on the same liberal
scale, a Home for Old Men, accommodating twenty-four persons.
The inhabitants of Constantinople were sinners, though not sinners above
all men, as they are often represented. But in their hospitals,
orphanages, asylums for the aged, free caravanseries, asylums for
lepers, and other institutions “to give rest to those whom trouble had
distressed,” which humanised the city with compassion, they were
distinguished also for that charity which covereth a multitude of sins.
The Churches of S. Mary Pammacaristos (Fethiyeh Djamissi), the Church of
S. Theodosia (Gul Djamissi), and portions of S. Saviour-in-the-Chora,
carry us to the times of the Palæologi, the dynasty that occupied the
throne of Constantinople during the last one hundred and ninety years of
the city’s history as New Rome. It is the period of the long struggle
with the Ottoman Turks, and the culmination of the conflict between the
Mohammedan world and Christendom which had filled more than eight
centuries with its hate and din; when the sign in which the Empire had
conquered yielded to the sign of the crescent, and the benediction of
the prophet of Islam--“Whoso taketh the city of Constantine, his sins
are forgiven”--found at length a man upon whose head it could settle. It
is a sad period of Byzantine history; yet one noble idea, at least,
appealed to its mind--the Reunion of Christendom--which, if realised,
would have changed the history of Europe. But it was not to be.
Like all the churches of the city situated near the fortifications, the
Church of S. Saviour-in-the-Chora was regarded with special veneration
as a guardian of the safety of “the God-defended capital,” and there,
during the siege of 1453, was placed, as an additional pledge of
security, the icon of S. Mary Hodegetria, attributed to S. Luke. But the
church was the first sanctuary into which Turkish troops broke on the
fatal 29th May for pillage. They spurned to take the icon as a part of
their plunder, and in mockery of its vaunted power hacked it to pieces.
The Latin Church of S. Peter in Galata claims to possess one of the
fragments.
Public-domain text, read in full here on John Shaqi.
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