Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
With S. Theodosia is connected the pathetic association that the
festival day of the church coincided with the day on which the city fell
in 1453. The area and galleries of the building were packed by a large
and earnest congregation that kept vigil through the night-watches,
praying for the safety of the Queen of Cities, when suddenly, soon after
the sun had risen, the wild rush of soldiers and shouts of victory in
strange accents told that the enemy had triumphed, and that the day of
vengeance was at the door. No massacre ensued, but the whole
congregation was doomed to slavery.
The Church of the Pammacaristos served as the cathedral of the
patriarchs of Constantinople for one hundred and thirty-five years after
1456, when deprived of the Church of the Holy Apostles.
These churches put the period of the Palæologi before us in also a
pleasing aspect. The mosaics which adorn the narthex and exo-narthex of
the Church of S. Saviour-in-the-Chora imply, that love for the beautiful
and skill to express it had not fled the city which reared S. Sophia.
The proportions of S. Theodosia are exceedingly fine, and the chapel
attached to the Pammacaristos is, at least externally, remarkably
attractive. Nor had intellectual life and scholarship altogether ceased.
The historian Nicephorus Gregoras was a monk in the monastery of S.
Saviour-in-the-Chora, and wrote his work in the retirement of his cell.
The historians Pachymeres, Cantacuzene, Phrantzes, Ducas, were not the
products of an ignorant age. The Greek scholars who took refuge in the
West, and contributed to its intellectual revival, represented a society
which, with all its faults, had not lost its interest in the literature
of ancient Hellas, or in general knowledge. Indeed, in studying the
period of the Palæologi, one continually meets a spirit akin to that
which produced the Renaissance in Western Europe. And, notwithstanding
the vanity of indulging in dreams of what might have been but never has
been, the mind obstinately asks, What if that upward movement had not
been checked by a great political catastrophe? What if it had been
accompanied by moral reform and military prowess?
CHAPTER IX
AMONG THE CHURCHES
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