Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
However strange
and unedifying the reverence paid to icons may seem to the modern
Western mind, it is but the shallowest ignorance which would call it
idolatry, and it is plain that any hasty attempt to interfere with the
popular expression of religious ideas must tend, if hastily and
unskilfully conducted, to impair the faith of the people itself. Led
by men who were believed by the enthusiastic and conservative
Byzantines to be influenced by Monophysites, Jews and Mohammedans, it
was certain to provoke a desperate resistance, and that the more
widespread because the issue was not an intricate matter of scholastic
teaching, but a plain issue of practice in which every day passions
were deeply concerned.
In 726, almost, it would seem, without warning, the Emperor Leo issued
an edict that all images in churches should be utterly abolished. The
patriarch, rather than consent to the action, resigned his office. The
story of what followed may be given in the words of Mr Tozer.[12]
"The work of destruction now commenced in earnest; the statues were
everywhere removed, and the pictures on the walls were whitewashed
over, and though numerous outbreaks occurred, and some executions took
place before it was accomplished, yet on the whole the opposition was
not formidable. The act which caused the greatest indignation was the
removal of the magnificent image of Christ which surmounted the bronze
gateway of the imperial palace, and was the object of great reverence.
In order to take down this statue and burn it, a soldier of the guard
had mounted a ladder, when a number of women assembled at the spot to
beg that it might be spared; but, instead of listening to them, the
soldier struck his axe into the face of the image. Infuriated by this,
which appeared to them to be an insult offered to the Saviour Himself,
they dragged the ladder from under his feet and killed him. The
Emperor avenged his agent by executing some, and exiling others, of
the offenders, and set up in the place of the statue a plain cross,
with an inscription explaining the significance of the change.
Public-domain text, read in full here on John Shaqi.
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