De Amicis, Edmondo, 1846-1908 -- Travel -- Turkey -- Istanbul; Istanbul (Turkey) -- Description and travel
character; they wear the same colors, use the same perfumes, put
on patches of the same size and shape, and make enthusiastic
demonstrations and protestations of undying regard. I might add here
the remark that has been made by more than one lady traveller from
Europe, that there “exist among them all the vices of ancient Babylon,”
were I not unwilling in so serious a matter to make a statement which
rests wholly on the assertions of others.
* * * * *
The manners of Turkish women reflect their characters. They are
all more or less like young girls of good family, who, having been
brought up in the country and arrived at the transition stage between
childhood and womanhood, keep their mothers in a constant state of
uneasiness by their want of conventionality. It is very funny to
hear a European lady’s account of a visit to a harem. The _hanum_,
for instance, after sitting for the first few moments in a dignified
attitude upon the sofa, just as she sees her visitor doing, will
suddenly and without any warning clasp her hands over her head, or
begin to yawn loudly or to nurse one of her knees. Accustomed to the
liberty, not to say license, of the harem, and to the easy attitudes
of idleness and fatigue, and weakened as they are by their prolonged
and frequent baths, they quickly tire in any erect or constrained
position, and, throwing themselves on the divan, toss continually from
one side to the other, twist and tangle up their long trains, roll
themselves into balls, catch hold of their feet, put a cushion on their
knees and rest their elbows upon it, straighten themselves out, twist,
turn, stretch, arch their backs like cats, roll from the divan on to
the mattress, from the mattress on to the rug, from the rug on to the
marble pavement, and go to sleep like children wherever and whenever
they happen to feel sleepy. One French lady traveller declares that
they are something like mollusks, and they are nearly always in such a
position that one could take them in his arms like a ball. Their most
conventional attitude is sitting cross-legged, and it is said that the
defect of slightly crooked legs so common among them comes from their
having sat in this position since childhood. But how gracefully they do
it! You can see them in the public gardens and cemeteries. They drop
straight down without so much as putting out a hand, erect as statues,
and rise with the same ease, perfectly straight and without leaning
upon anything, as though they were being drawn out. But this is about
the only free, strong movement they have. The grace of a Turkish woman
seems to consist entirely in those attitudes of repose which display
to their best advantage the charming curves of her figure. With head
thrown back, hair streaming loosely over the pillow, and arms hanging
down, she can draw money and jewels from the husband’s pocket and drive
the unfortunate eunuch to the verge of despair.
[Illustration: Dancing Girls.]
Public-domain text, read in full here on John Shaqi.
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