De Amicis, Edmondo, 1846-1908 -- Travel -- Turkey -- Istanbul; Istanbul (Turkey) -- Description and travel
Surely your sun is rising at last. For my own part,
as I tell my incredulous friends, old as I am, I have not abandoned the
hope of one day giving my arm to the wife of a pasha passing through
Turin and repeating a few pages of _I Promessi Sposi_ to her as we walk
together on the banks of the Po.
YANGHEN VAHR.
I was amusing myself with such fancies as these one morning at about
five o’clock as I lay half asleep in bed at the Hôtel de Byzance. In a
sort of dreamy vision I saw the hill of Superga in the distance, and
began to explain to my travelling _hanum_ that “that arm of the Lake
of Como which extends southward between two continuous chains--” Just
here there rose up before me the form of my friend Yunk, candle in
hand, clad all in glistening white. “What on earth,” said he, “can be
going on?” I listened, and, sure enough, there was a confused murmur of
voices from the street, hurrying footsteps on the stair, the subdued
roar and tumult of mid-day. Running to the window, I peered out, and
saw crowds of people all hurrying in the direction of the Golden Horn.
I then repaired to the hall, where I succeeded in laying hands on a
Greek waiter just as he was shooting by me three steps at a time. “What
is it?” I said; “what has happened?” Shaking me off, he merely cried,
“Yanghen Vahr! Heavens! did you not hear them calling?” And then, as he
disappeared, he shouted, “Look at the top of the Galata Tower!” We ran
back to the window, and, craning our necks toward Galata, saw the upper
part of the great tower illuminated by a brilliant red light, while a
dense black cloud, issuing from some neighboring houses amid a vortex
of flames and sparks, spread itself rapidly across the starlit sky.
Instantly our thoughts flew to those terrible Constantinople fires of
which we had heard so much, especially that fearful one of four years
before, and for a moment we were filled with alarm and dismay, but only
for a moment--I confess it with shame--for, following immediately upon
that first natural impulse, came the selfish eager curiosity of the
painter and writer, and a smile--yes, actually that is the disgraceful
truth, a smile--broke over our faces which might have served as a model
for one of Doré’s demons of the infernal regions. Had any one opened
our breasts at that moment, they would have been found to contain
nothing but an inkstand and a pallet.
Public-domain text, read in full here on John Shaqi.
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