On the other hand, the "Moonshine" seems to be attempting too much. "Winter" does better, for it has a freezing stream, a mill-wheel, and a "widow bird." These "four little poems" of opus 32 had been preceded by six fine "Idylls" based on lyrics of Goethe's. The first, a forest scene, has a distinct flavor of the woods, the second is all laziness and drowsiness, and the third is moonlight mystery. The fourth is as intense in its suppressed spring ecstasy as the radiant poem itself singing how "Soft the ripples spill and hurry To the opulent embankment." The six short "Poems" (op. 31) based on poems of Heine's are particularly successful, especially in the excellent opportunity of the lyric describing the wail of the Scottish woman who plays her harp on the cliff, and sings above the raging of sea and wind. The third catches most happily the whimsicality of the poet's reminiscences of childhood, but hardly, I think, the contrasting depth and wildness of his complaint that, along with childhood's games, have vanished Faith and Love and Truth. In the last, however, the cheery majesty that realizes Heine's likening of Death to a cool night after the sultry day of Life, is superb. Then there are some four-hand pieces, two collections, that leave no excuse for clinging to the hackneyed classics or modern trash. They are not at all difficult, and the second player has something to employ his mind besides accompanying chords. They are meaty, and effective almost to the point of catchiness. The "Tale of the Knights" is full of chivalric fire and martial swing, while the "Ballad" is as exquisitely dainty as a peach-blossom. The "Hindoo Maiden" has a deal of the thoroughly Oriental color and feeling that distinguish the three solos of "Les Orientales," of which "Clair de Lune" is one of his most original and graceful writings. The duet, "In Tyrol," has a wonderful crystal carillon and a quaint shepherd piping a faint reminiscence of the Wagnerian school of shepherds. This is one of a series of "Moon Pictures" for four hands, based on Hans Christian Andersen's lore. Two concertos for piano and orchestra are dazzling feats of virtuosity; one of them is reviewed at length in A.J. Goodrich' book, "Musical Analysis." He has written also a book of artistic moment called "Twelve Virtuoso-Studies," and two books of actual gymnastics for piano practice. [Music: CLAIR DE LUNE. La lune etait sereine et jouait sur les flots. La fenetre enfin libre est ouverte a la brise; La sultane regarde, et la mer qui se brise, La-bas, d'un flot d'argent brode les noir ilots. (Victor Hugo, "Les Orientales.") E.A. MACDOWELL, Op. 37, No. 1. Copyright, 1889, Arthur P. Schmidt.]