Novelists, Russian; Russian fiction -- History and criticism
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CONTEMPORARY
RUSSIAN NOVELISTS
Translated from the French of Serge Persky
By FREDERICK EISEMANN
JOHN W. LUCE AND COMPANY
BOSTON 1913
_Copyright, 1912_
BY C. DELAGRAVE
_Copyright, 1913_
BY L. E. BASSETT
To
THE MEMORY OF
F. N. S.
BY
THE TRANSLATOR
PREFACE
The principal aim of this book is to give the reader a good general
knowledge of Russian literature as it is to-day. The author, Serge
Persky, has subordinated purely critical material, because he wants
his readers to form their own judgments and criticize for
themselves. The element of literary criticism is not, however, by
any means entirely lacking.
In the original text, there is a thorough and exhaustive treatment
of the "great prophet" of Russian literature--Tolstoy--but the
translator has deemed it wise to omit this essay, because so much
has recently been written about this great man.
As the title of the book is "Contemporary Russian Novelists," the
essay on Anton Tchekoff, who is no longer living, does not rightly
belong here, but Tchekoff is such an important figure in modern
Russian literature and has attracted so little attention from
English writers that it seems advisable to retain the essay that
treats of his work.
Finally, let me express my sincerest thanks to Dr. G. H. Maynadier
of Harvard for his kind advice; to Miss Edna Wetzler for her
unfailing and valuable help, and to Miss Carrie Harper, who has gone
over this work with painstaking care.
CONTENTS
CHAPTER PAGE
I. A Brief Survey of Russian Literature 1
II. Anton Tchekoff 40
III. Vladimir Korolenko 76
IV. Vikenty Veressayev 108
V. Maxim Gorky 142
VI. Leonid Andreyev 199
VII. Dmitry Merezhkovsky 246
VIII. Alexander Kuprin 274
IX. Writers in Vogue 289
CONTEMPORARY RUSSIAN NOVELISTS
I
A BRIEF SURVEY OF RUSSIAN LITERATURE
In order to get a clear idea of modern Russian literature, a
knowledge of its past is indispensable. This knowledge will help us
in understanding that which distinguishes it from other European
literatures, not only from the viewpoint of the art which it
expresses, but also as the historical and sociological mirror of the
nation's life in the course of centuries.
Public-domain text, read in full here on John Shaqi.
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