Several very successful scenes, in which the author blends the tragic with the comic, deserve, in this brief analysis, special attention. In the first act, there is a students' picnic at which Olga and Gloukortzev, still full of happiness, are present. The spectator is drawn by personal sympathy to the student Onoufry, a good fellow, always drunk, who makes fun of others and himself. We see him again in the second act, when Gloukortzev finds out about Olga's life. The poignant scene between the poor girl and her lover is heightened and softened by the arrival of the students, to whom Gloukortzev tells his sorrow. The last two acts take place in Olga's home. The mother brings her daughter a rich "client." And, in the next room, Gloukortzev suffers terribly, because he knows that his beloved is still leading an infamous life. In the same room, in the fourth act, we are present at an orgy, during which the student quarrels with an officer who has come to spend the night with Olga. But Onoufry, interfering in time, prevents an affray the issue of which would probably have been fatal. When the curtain falls, Gloukortzev, intoxicated, is weeping; at his side is Olga, also weeping, while Onoufry and the officer are singing: "The days of our lives are as short as the life of a wave." This drama, as well as most of Andreyev's plays, has been produced with great success in Russia and also in Europe. VII DMITRY MEREZHKOVSKY Unlike Gorky, Andreyev, and Tchekoff, Merezhkovsky was brought up in the midst of comfort and elegance; he received a correct and careful education; fate was solicitous for him, in that it allowed him to develop that spirit of objective observation and calm meditation which permits a man to look down on the spectacle of life, and indulge in philosophical speculations very often divorced from reality. The son of an official of the imperial court, Merezhkovsky was born in St. Petersburg in 1865. In this city he received his entire education, and here he gained the degree of bachelor of letters in 1886. He began his literary career with some poems which won for him a certain renown. In 1888, he published his first collection, and then a second in 1892, "The Symbols." At the same time, he published several translations from Greek and Latin authors. As he was a friend of the unfortunate Nadson, and a pupil of the humanitarian Pleshcheyev, Merezhkovsky wrote at first under the influence of the liberal ideas of his early masters. His verses, always harmonious, and a little affected, soon belied this tendency and very frankly revealed his preferences. In the first collection of his poems, vibrant with generous ideas, he proclaimed that he wanted, above all, "the joy of life," and that a poet should not have any other cult than that of beauty.