Novelists, Russian; Russian fiction -- History and criticism
The student Vassiliev, a young man of excessively nervous
temperament, has visited a house of ill-fame, and since then, he
cannot rid himself of his painful impressions. Sombre thoughts
beset his mind: "Women, living women!" he repeats, his head between
his hands. "If I broke this lamp you would say that it was too bad;
but down there it is not lamps that they break, it is the existence
of human creatures! Living women!..."
He dreams of several ways of saving these unfortunates, and he
decides childishly to stand on a street-corner, and say to each
passer-by:
"Where are you going? and why? Fear God."
But this desire soon gives place to a general state of anguish and
hatred of himself. The evil seems too great for him, and its
vastness crushes him. In the meantime, the people about him do not
suffer; they are indifferent or incredulous. The student feels that
he is losing his mind. They confine him. Later on, when, cured, he
leaves the alienist, "he blushes at his anxiety."... The general
indifference has broken down his aspirations, smothered his vague
dream.
In "Peter the Bishop," we see a man, good and simple, the son of
peasants. This man, thanks to his intelligence, has raised himself
to the rank of bishop. During all his life he has suffocated in this
high ecclesiastical position, the pompous tinsel of which troubles
him to such an extent that the cordial and sincere relationship
existing between him and his old mother, who is so full of respect
for her son, is broken off. After his death he is quickly forgotten.
The old mother, now childless, when she walks in the fields with the
women of the village, still speaks of her children, of her
grandchildren, and of her son, the bishop. But she speaks timidly of
him, as if she feared that they would not believe her. And, in
truth, no one puts any faith in what she says.
Public-domain text, read in full here on John Shaqi.
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