Novelists, Russian; Russian fiction -- History and criticism
In almost all the work of Veressayev a voice proclaims that the
Russian peasant is near his end; that he is not useful to any one.
The poverty of the villages is painted in the most sombre colors.
The people are unanimous in believing that the struggle for life has
become terrible. "On what will you live?" one asks the other. "The
earth does not nourish us. The holdings are small; in summer, one
must cultivate, and in winter the cottages have to be closed while
we look for work or charity. What is there to eat? Hay! Let us thank
God that the cattle have enough of that. Oats? We have to give four
hectoliters and two measures of our oats to the common granary....
And taxes and clothes? coal-oil, matches, tea, sugar? Tell me, how
can one live?"
The unfortunates even go so far as to bless war and epidemics.
"Everything went better then. Men lived peacefully in the fear of
God, the Lord took care of every one. War, smallpox, famine came and
cleaned out the populace; those that remained, after having got the
coffins ready, lived easier. God pitied us. Now there is no more
war; He leaves us to our own poor devices."
Speeches like this abound in the works of Veressayev. A dull
sadness, bordering on despair, breathes forth from the pages. It
seems, at times, as if the Russian peasant could never awake from
his torpor, because the author represents him as full of infinite
egoism, without any spirit of solidarity, sacrificing everything for
love of his sorry little house and his morsel of ground, which is
insufficient to nourish him. But we must remember that the Marxian
point of view, which the author takes, explains in part the horror
of such pictures.
According to Veressayev the poor peasants can better their position
only by getting rid of their land, in order to become free
proletarians. But if the peasant class is unfortunate, it is so, for
the most part, because it is the most exploited and the most
oppressed. It is not, then, the getting rid of their land that will
bring the peasants salvation; on the contrary, they must fight for
it against their oppressors. The peasants are beginning to
understand the necessity of this struggle, and their late uprisings
in several provinces have shown that they lack neither solidarity
nor organization.
In the story called, "The End of Andrey Ivanovich," which is about
the working class of Russia, we see the transformation of a peasant
into a "city man." In his new surroundings, it is true, the
wine-shop plays an important role, but schools are organized there
which inspire a taste for reading, and "thought" gradually awakens.
Public-domain text, read in full here on John Shaqi.
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