"Plop-plop-plop," the machine-gun spluttered with an amazing air of
detached insistence. The machine-guns strike in battle quite a note of
their own. Shells, screeching and roaring in their frenzy, give an
impression of passion, of untameable wrath. Rifle-fire is as inconstant
in volume as piano music; there is something of human effort to be heard
in the "tap ... tap ... tap ... tap-tap-trrrrapp" of its crescendos and
diminuendoes. But the machine-gun is different from these. It strikes a
higher note, and can be heard above the roar of the bursting shells. It
is mechanical, there is nothing about it of human passion; it is a
machine, and a most deadly one at that.
The Colonel dashed out into the open and dragged a wounded gunner into
the comparative shelter of the wood. Many more acts scarcely less heroic
were performed.
At last the moment came to retire. The guns had already rattled through
the line, and the companies drew away from the edge of the wood,
re-formed with great speed, and were soon marching once more in column
of route along the road.
The Subaltern felt exhausted in a way that he had never felt so badly
before. The withdrawal from the actual scene of battle seemed to leave a
gulf in his inside that positively yawned. It was not only the apparent
uselessness of trying to stem the German tide that depressed him. There
was something more than that. He felt like a man who wakes after a
heavy, drug-induced slumber. The sudden cessation of the intense
excitement of battles leaves the brain empty and weary. At such moments
the hopelessness of the whole thing appalled and depressed him. The
uncertainty of the future hurt him. Nor was he alone in this state of
mind. Not a voice was raised to break the throbbing monotony of the
march. Heads were bent low.
Public-domain text, read in full here on John Shaqi.
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